A Music Transcription Method: Notating Recorded Music by Ear teaches how to leverage music dictation in the modern music industry. The book's four parts cover aspects of preparation, process, interpretation, and industry resources related to notating recorded music by ear.
A Music Transcription Method: Notating Recorded Music by Ear teaches how to leverage music dictation in the modern music industry. The book's four parts cover aspects of preparation, process, interpretation, and industry resources related to notating recorded music by ear.
Dr. Andreas Häberlin is Adjunct Instructor at Nova Southeastern University, USA, alongside his work as a music transcriptionist. In this capacity, he has worked for industry figures including David Foster, Michael Bearden, and members of Snarky Puppy. Past transcription work includes projects for the Mark Twain Prize, Michael League, Michael Bublé, Barbra Streisand, Asher Monroe, Boop! The Musical, and Music Will Benefit.
Inhaltsangabe
Table of Contents Preface About the Author Acknowledgments Glossary PART I: PREPARATION Chapter 1: Field Introduction Introductory Definition Methodological Inquiry Music Industry Applications Chapter 2: Analytical Listening Listening Approaches Listening Dimensions Auditory Analysis Chapter 3: Transcription Setup Playback Listening & Referencing Music Notation PART II: PROCESS Chapter 4: Outline Setting the Scope Sheet Music Formats Global Music Information Layers Chapter 5: Foundational Layers Individual Layers Music Note Series Transcription Roadmap Chapter 6: Dependent Layers Note & Pattern Perspective Phrase & Section Perspective Transcription Roadmap Chapter 7: Process Variants Procedures in Context Transcribing Multi-File Sources Compact Target Formats PART III: INTERPRETATION Chapter 8: Music Notation A Prescriptive Approach Level of Notation Detail Decision-Frame Chapter 9: Macrostructure Form Time Signatures Tempo Chapter 10: Microstructure Pattern Repetition Harmonic Qualities Nuance in Phrasing Chapter 11: Orchestration Individual Sound Sources Stacked Composite Sounds Dynamics & Timbre PART IV: RESOURCES Chapter 12: Opportunities Common Career Profiles Music Transcription Services Self-Marketing Chapter 13: Project Management General Guidelines Planning Executing Chapter 14: Workflow Concepts Procedural Preparation Systematic Approach Digital Literacy Index
