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Dive into the captivating world of opera with Henry Edward Krehbiel's "A Second Book Of Operas." This meticulously prepared edition offers a rich exploration of classic operas, providing detailed plot summaries and insightful commentary. Explore the dramatic narratives and musical artistry that have made these operas enduring masterpieces. Perfect for both seasoned opera aficionados and newcomers alike, this book delves into the stories behind the music, enhancing your appreciation of these timeless works of classical music. Discover the compelling plots and historical context of each opera,…mehr

Produktbeschreibung
Dive into the captivating world of opera with Henry Edward Krehbiel's "A Second Book Of Operas." This meticulously prepared edition offers a rich exploration of classic operas, providing detailed plot summaries and insightful commentary. Explore the dramatic narratives and musical artistry that have made these operas enduring masterpieces. Perfect for both seasoned opera aficionados and newcomers alike, this book delves into the stories behind the music, enhancing your appreciation of these timeless works of classical music. Discover the compelling plots and historical context of each opera, gaining a deeper understanding of their cultural significance. Whether you are studying music history or simply seeking an engaging introduction to the world of opera, this book is an invaluable resource. Revisit favorite operas or discover new ones within these pages, guided by Krehbiel's expertise and passion for the art form. Experience the drama, the emotion, and the sheer beauty of opera through its most celebrated stories. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Autorenporträt
Henry Edward Krehbiel (1854-1923) was an esteemed American music critic and musicologist renowned for his extensive tenure as the principal music critic of The New York Tribune, spanning over four decades. Krehbiel, among Richard Aldrich, Henry Theophilus Finck, W.J. Henderson, and James Huneker, is regarded as a member of the 'Old Guard', a cohort of prominent music critics located in New York who played a pivotal role in establishing a distinctively American approach to criticism. The critic displayed a pronounced inclination towards empiricism, often engaging in the active pursuit of firsthand experiences, accounts, and original sources in his writing. He independently formulated his own findings rather than relying on existing literature by other authors. Krehbiel, being a proponent of meliorism, held the belief that the primary function of criticism was to provide endorsement for music that had the capacity to elevate both the human spirit and intellect. Furthermore, Krehbiel argued that criticism should not only serve as a mechanism for shaping individual preferences, but also as a vehicle for enlightening and instructing the general public. The instructional guide titled "How to Listen to Music," authored by the individual in question, enjoyed significant popularity among the music-consuming public in the United States from 1896 to 1924.