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This philosophical theory of art, addressed to anyone with a serious interest in the arts, has three main objectives: to shift the focus of aesthetics from the question "What is art?" to the question "What is art for?"; to describe the social and historical situation of art today; and to combine aesthetics with poetics and hermeneutics. A distinctive feature of the book is its argument that music exemplifies the current condition of art in a particularly revealing fashion.

Produktbeschreibung
This philosophical theory of art, addressed to anyone with a serious interest in the arts, has three main objectives: to shift the focus of aesthetics from the question "What is art?" to the question "What is art for?"; to describe the social and historical situation of art today; and to combine aesthetics with poetics and hermeneutics. A distinctive feature of the book is its argument that music exemplifies the current condition of art in a particularly revealing fashion.
Autorenporträt
Karol Berger Is Osgood Hooker Professor in Fine Arts at Stanford University. He is the author of numerous studies in the history of music aesthetics and theory, vocal pholyphony from 1400 to 1600, and instrumental music from 1780 to 1850. His Musica Ficta (1987) won the Otto Kinkeldey Award of the American Musicological Society.