This philosophical theory of art, addressed to anyone with a serious interest in the arts, has three main objectives: to shift the focus of aesthetics from the question "What is art?" to the question "What is art for?"; to describe the social and historical situation of art today; and to combine aesthetics with poetics and hermeneutics. A distinctive feature of the book is its argument that music exemplifies the current condition of art in a particularly revealing fashion.
This philosophical theory of art, addressed to anyone with a serious interest in the arts, has three main objectives: to shift the focus of aesthetics from the question "What is art?" to the question "What is art for?"; to describe the social and historical situation of art today; and to combine aesthetics with poetics and hermeneutics. A distinctive feature of the book is its argument that music exemplifies the current condition of art in a particularly revealing fashion.
Karol Berger Is Osgood Hooker Professor in Fine Arts at Stanford University. He is the author of numerous studies in the history of music aesthetics and theory, vocal pholyphony from 1400 to 1600, and instrumental music from 1780 to 1850. His Musica Ficta (1987) won the Otto Kinkeldey Award of the American Musicological Society.
Inhaltsangabe
* Prologue. The Function and value of art * Part I. * 1.: Aesthetics I. The nature of art * 2.: Aesthetics II. The uses of art * 3.: Aesthetics III. The genealogy of modern European art music * Part II. * 4.: Poetics I. Diegesis and mimesis: the poetic modes and the matter of artistic presentation * 5.: Poetics II. Narrative and lyric: the poetic forms and the object of artistic presentation * 6.: Hermenetics. Interpretation and its validity * Epilogue. The power of taste * Notes
* Prologue. The Function and value of art * Part I. * 1.: Aesthetics I. The nature of art * 2.: Aesthetics II. The uses of art * 3.: Aesthetics III. The genealogy of modern European art music * Part II. * 4.: Poetics I. Diegesis and mimesis: the poetic modes and the matter of artistic presentation * 5.: Poetics II. Narrative and lyric: the poetic forms and the object of artistic presentation * 6.: Hermenetics. Interpretation and its validity * Epilogue. The power of taste * Notes
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