Although it's been widely documented in scientific writing, few works of literary fiction deal with the sleeping sickness epidemic that killed hundreds of thousands of Africans at the turn of the century. One notable exception is Charles Beadle's A Whiteman's Burden, published in 1912, when trypanosomiasis was still claiming so many lives in Uganda and the Congo: sites of his numerous expeditions. Beadle traveled through the most infected areas in the early 1900s - at the very peak of the catastrophe - when Uganda lost a quarter of a million inhabitants and the number of infected Congolese had…mehr
Although it's been widely documented in scientific writing, few works of literary fiction deal with the sleeping sickness epidemic that killed hundreds of thousands of Africans at the turn of the century. One notable exception is Charles Beadle's A Whiteman's Burden, published in 1912, when trypanosomiasis was still claiming so many lives in Uganda and the Congo: sites of his numerous expeditions. Beadle traveled through the most infected areas in the early 1900s - at the very peak of the catastrophe - when Uganda lost a quarter of a million inhabitants and the number of infected Congolese had reached several hundred thousand. Thus, his presence in Africa between 1898 and 1910 lends us a rare personal insight into this larger collective crisis. With its abundant depictions of absurdity, alienation, and isolation as the characters confront the dreadful vicissitudes of life and the indifference of the glittering cosmos swirling above the vast African firmament, we're left to wonder: Is A Whiteman's Burden one of Europe's first existential novels?
CHARLES BEADLE was a world traveler who was born at sea in 1881. When he was eighteen years old he expatriated from England and spent a dozen years exploring South Africa, Rhodesia, Zambia, Uganda, the Congo, Mozambique, Borneo, and Morocco. In his mid-twenties he organized an expedition to Fez and traveled there disguised as a dancing girl to interview the sultan of Morocco. In the 1910s he lived in Montmartre, where he befriended his neighbor Beatrice Hastings, the mistress of Modigliani and translator of Max Jacob. Modigliani later portrayed Beadle in a drawing titled Le Pèlerin ("The Pilgrim"), which may have been a reference to Beadle's first banned book, A Passionate Pilgrimage. During World War I he traveled to the United States, where he published his stories in Adventure and in the International, a cultural journal edited by Aleister Crowley. He returned to the City of Light in the fall of 1919, where he lived throughout most of the 1920s, eventually moving to the French Riviera. In 1938 Jack Kahane's Obelisk Press published Beadle's last novel, Dark Refuge: an unrecognized modern masterpiece that quickly fell into obscurity. It contains thinly disguised portraits of Modigliani, Max Jacob, Beatrice Hastings, Léopold Zborowski, and various other figures who haunted the Parisian demimonde of this period. Beadle's brazen portrayal of drug fueled pansexual orgies prevented the chronicle from being distributed in the Anglo-Saxon world despite its literary merit and lyrical beauty. In 1941 Faber and Faber published Artist Quarter, a nonfiction work pseudonymously coauthored by Beadle with Douglas Goldring, which is still considered to be the urtext of Modigliani biography.
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