Brings new insights to the music of well-known European composers by telling a fascinating, little-known story about French music publishing, specifically through the lens of Jacques Durand's à ⠰dition Classique.
Brings new insights to the music of well-known European composers by telling a fascinating, little-known story about French music publishing, specifically through the lens of Jacques Durand's à ⠰dition Classique.
Deborah Mawer, Barbara L. Kelly, Rachel Moore and Graham Sadler
Inhaltsangabe
Introduction PART I. DURAND AND HIS ÉDITION CLASSIQUE 1 The Historical Evolution of the Édition Classique Graham Sadler 2 Charting the Édition: Production Data, Musical Contents and Relationships Deborah Mawer and Graham Sadler PART II. COMPOSER-EDITOR CASE STUDIES 3 'De-Germanising' Music Publishing: Dukas's Beethoven in Wartime France Rachel Moore 4 Mozart as 'Classic' in Early Twentieth-Century France: The Case of Saint-Saëns's Mozart Editions Barbara L. Kelly 5 Making Mendelssohn (More) French: Ravel and Six pièces enfantines Deborah Mawer 6 Accenting Bach: An Editorial Trajectory from Fauré to Roger-Ducasse Deborah Mawer 7 Repackaging the Old Masters: The Place of Early Keyboard Music in the Édition Classique Graham Sadler 8 Debussy's Homage to Chopin: as Editor, Performer and Composer Appendix: Debussy-Chopin entries in the Livres de cotage (1919-90s) Barbara L. Kelly PART III. BEYOND EDITING: PEDAGOGY, PERFORMANCE, COMPOSITION 9 The Édition Classique in Action: Pedagogy and Performance Rachel Moore and Barbara L. Kelly 10 The Édition Classique and French Neoclassicism: L'École moderne as Exemplar Appendix: Alphabetical tabulation of composers and pieces Deborah Mawer Afterword Select Bibliography Index
Introduction PART I. DURAND AND HIS ÉDITION CLASSIQUE 1 The Historical Evolution of the Édition Classique Graham Sadler 2 Charting the Édition: Production Data, Musical Contents and Relationships Deborah Mawer and Graham Sadler PART II. COMPOSER-EDITOR CASE STUDIES 3 'De-Germanising' Music Publishing: Dukas's Beethoven in Wartime France Rachel Moore 4 Mozart as 'Classic' in Early Twentieth-Century France: The Case of Saint-Saëns's Mozart Editions Barbara L. Kelly 5 Making Mendelssohn (More) French: Ravel and Six pièces enfantines Deborah Mawer 6 Accenting Bach: An Editorial Trajectory from Fauré to Roger-Ducasse Deborah Mawer 7 Repackaging the Old Masters: The Place of Early Keyboard Music in the Édition Classique Graham Sadler 8 Debussy's Homage to Chopin: as Editor, Performer and Composer Appendix: Debussy-Chopin entries in the Livres de cotage (1919-90s) Barbara L. Kelly PART III. BEYOND EDITING: PEDAGOGY, PERFORMANCE, COMPOSITION 9 The Édition Classique in Action: Pedagogy and Performance Rachel Moore and Barbara L. Kelly 10 The Édition Classique and French Neoclassicism: L'École moderne as Exemplar Appendix: Alphabetical tabulation of composers and pieces Deborah Mawer Afterword Select Bibliography Index
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