Piano accompaniment, or collaborative piano, is an invizibilized force driving classical music. This hybrid study, combining text and multimedia, explores its history, evolution, and transformation into a recognized academic discipline through archival research, expert interviews, and digital resources.
Piano accompaniment, or collaborative piano, is an invizibilized force driving classical music. This hybrid study, combining text and multimedia, explores its history, evolution, and transformation into a recognized academic discipline through archival research, expert interviews, and digital resources.
Chanda VanderHart is a pianist and musicologist whose research interests include music history and sociology, gender studies, art song, performance, cultural institution studies, digital humanities, Musikvermittlung, and artistic research. She has been on the faculty of the mdw-University of Music and Performing Arts, Vienna, since 2017 and is a Senior Researcher at the Universität für Weiterbildung in Krems. VanderHart cofounded the interdisciplinary concert series Mosaïque, the multimedia storytelling platform Talespin, Musical Tales for Big and Small, and the podcast series on gender and art song piano Too Many Frocks.
Inhaltsangabe
List of Figures Chapter 1: Preludes and Preambles Chapter 2: Gwendolyn Koldofsky, Pathfinder and Pioneer Chapter 3: Establishing the Field Chapter 4: Proliferation, History, and Persistent Refrains Chapter 5: 21st Century Collaborative Counterpoint Index
List of Figures Chapter 1: Preludes and Preambles Chapter 2: Gwendolyn Koldofsky, Pathfinder and Pioneer Chapter 3: Establishing the Field Chapter 4: Proliferation, History, and Persistent Refrains Chapter 5: 21st Century Collaborative Counterpoint Index
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