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One of today’s leading conceptual artists, Los Angeles-based Walead Beshty (b. 1976, London) works across photography, sculpture and words. Self-referential, playful and imaginative, Addenda to a Sequence of Appearances documents his exhibitions with Thomas Dane Gallery across Europe and is a guide to the artist’s key bodies of work. Uncovering processes is central to Beshty’s art. He deliberately incorporated marks made by oxidation and human touch into his FedEx copper works and Copper Surrogate works, as well as photographing the many individuals involved in his exhibitions in Industrial…mehr

Produktbeschreibung
One of today’s leading conceptual artists, Los Angeles-based Walead Beshty (b. 1976, London) works across photography, sculpture and words. Self-referential, playful and imaginative, Addenda to a Sequence of Appearances documents his exhibitions with Thomas Dane Gallery across Europe and is a guide to the artist’s key bodies of work. Uncovering processes is central to Beshty’s art. He deliberately incorporated marks made by oxidation and human touch into his FedEx copper works and Copper Surrogate works, as well as photographing the many individuals involved in his exhibitions in Industrial Portraits. The work that has gone into this substantial monograph, which features contributions from publisher Francis Atterbury, book designer Billie Temple and Thomas Dane partner Francois Chantala, is laid bare. Also presented is an insightful essay by leading professor of Juridical Sociology Carlo De Rita. Adopting a semiotic approach to books as ‘not just a thing you hold, but something held in common’, Addenda to a Sequence of Appearances embraces the archetypal format, tropes and conventions of a traditional – if unorthodox – book, employing printing and publishing practices seldom seen in contemporary bookmaking.
Autorenporträt
Walead Beshty is an artist, writer and curator living and working in Los Angeles. He has had solo exhibitions at such institutions as Musée d'art moderne et contemporain, Geneva; the Barbican Centre, London; Ullens Center for Contemporary Art, Beijing; Malmö Konsthall, Sweden; and Centro de Arte Dos de Mayo, Madrid. His work has been included in the 2015 Venice Biennale, 2012 Shanghai Biennale, 2009 Tate Triennial, and 2008 Whitney Biennial. Beshty’s work is held in permanent museum collections worldwide, including the Guggenheim Museum, New York; the Museum of Contemporary Art, Chicago; the Museum of Contemporary Art, Los Angeles; the Museum of Modern Art, New York; the Tate, London, England; and the Whitney Museum of American Art, New York, among others.