Crosses disciplinary boundaries to explore German Romantic writing about visual experience and the interplay of text and image in Romantic epistemology.
Crosses disciplinary boundaries to explore German Romantic writing about visual experience and the interplay of text and image in Romantic epistemology.
BRAD PRAGER is Associate Professor of German at the University of Missouri, Columbia.
Inhaltsangabe
Introduction Interior and Exterior: G. E. Lessing's Laocoon as a Prelude to Romanticism Image and Phantasm: Wackenroder's Herzensergießungen eines kunstliebenden Klosterbruders, Tieck's Franz Sternbald's Wanderungen, and the Emergence of the Romantic Paradigm Symbol and Allegory: Clemens Brentano's Godwi Sublimity and Beauty: Caspar David Friedrich and Joseph Anton Koch Light and Dark: The Paintings of Philipp Otto Runge Absolution and Contradiction: Confrontations with Art in Heinrich von Kleist's "Die heilige Cäcilie oder Die Gewalt der Musik" and "Der Findling" Self and Other: Joseph von Eichendorff's Das Marmorbild Conclusion Notes Works Cited Index
Introduction Interior and Exterior: G. E. Lessing's Laocoon as a Prelude to Romanticism Image and Phantasm: Wackenroder's Herzensergießungen eines kunstliebenden Klosterbruders, Tieck's Franz Sternbald's Wanderungen, and the Emergence of the Romantic Paradigm Symbol and Allegory: Clemens Brentano's Godwi Sublimity and Beauty: Caspar David Friedrich and Joseph Anton Koch Light and Dark: The Paintings of Philipp Otto Runge Absolution and Contradiction: Confrontations with Art in Heinrich von Kleist's "Die heilige Cäcilie oder Die Gewalt der Musik" and "Der Findling" Self and Other: Joseph von Eichendorff's Das Marmorbild Conclusion Notes Works Cited Index
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