African Venice - Kaplan, Paul; Bassi, Shaul
35,99 €
inkl. MwSt.
Versandkostenfrei*
Versandfertig in über 4 Wochen
payback
18 °P sammeln
  • Broschiertes Buch

African Venice is the first guidebook to the extensive historical and contemporary African presence in the city of the lagoons. A set of ten walking tours highlights images of Black people in Venetian art from the Middle Ages to the present, the afterlife of Shakespeare's Othello, the painful local legacies of slavery and Italian colonialism, and the remarkable visibility of African and Afro-descendant artists at the Venice Biennale. These tours are enriched by more than twenty essays, poems, and reflections that celebrate, question, and reimagine Venice's Black past and present. From…mehr

Andere Kunden interessierten sich auch für
Produktbeschreibung
African Venice is the first guidebook to the extensive historical and contemporary African presence in the city of the lagoons. A set of ten walking tours highlights images of Black people in Venetian art from the Middle Ages to the present, the afterlife of Shakespeare's Othello, the painful local legacies of slavery and Italian colonialism, and the remarkable visibility of African and Afro-descendant artists at the Venice Biennale. These tours are enriched by more than twenty essays, poems, and reflections that celebrate, question, and reimagine Venice's Black past and present. From premodern paintings and sculpture to contemporary artworks, African Venice will show you the city as you have never seen it. The book includes contributions from Marilena Umuhoza Delli, Rita Dove, Emiliano Guaraldo, Eddy L. Harris, Lorenzo Lazzarini, Ibrahima Lö, Vittorio Longhi, Olga Manente, Tony Mochama, Yvonne Adhiambo Owuor, Caryl Phillips, Sandra Stocchetto, Sami Tchak, Ngugi wa Thiong'o, and Alessandra Viola.
Autorenporträt
Paul Kaplan is Professor of Art History at Purchase College, SUNY. He is the author of Contraband Guides: Race, Transatlantic Culture, and the Arts in the Civil War Era, also published by Penn State University Press and The Rise of the Black Magus in Western Art, and a contributor to The Image of the Black in Western Art. He served as Project Scholar for Fred Wilson's Speak of Me as I Am, an installation in the American Pavilion of the 2003 Venice Biennale.