This collection examines the applicability of contemporary expressions of Afrofuturism to the fields of Africana studies, cultural studies, and other areas of academic inquiry. The essays within this book identify the twenty-first-century expressions of Afrofuturism emerging in several areas of metaphysics.
This collection examines the applicability of contemporary expressions of Afrofuturism to the fields of Africana studies, cultural studies, and other areas of academic inquiry. The essays within this book identify the twenty-first-century expressions of Afrofuturism emerging in several areas of metaphysics.
Reynaldo Anderson is associate professor of communications at Harris-Stowe State University. Charles E. Jones is professor and head of the Department of Africana Studies at University of Cincinnati.
Inhaltsangabe
Introduction to Afrofuturism 2.0 Reynaldo Anderson and Charles E. Jones Part I: Quantum Visions of Futuristic Blackness Chapter One: Reading Wangechi Mutu's Non je ne regrette rien through Kindred Tiffany Barber Chapter Two: Afrofuturism on Web 3.0: Vernacular Cartography and Augmented Space Nettrice Gaskins Chapter Three: The Real Ghost in the Machine: Afrofuturism and the haunting of racial space in I Robot and DETROPIA Ricardo Guthrie Part II: Planetary Vibes, Digital Ciphers, and Hip Hop Sonic Remix Chapter Four: The Armageddon Effect - and Other Afrofuturist Chronopolitics of Alien Nation tobias C. van Veen Chapter Five: Afrofuturism's Musical Princess Janelle Monáe: Psychadelic Soul Message Music Infused with a Sci-Fi Twist Grace D. Gipson Chapter Six: Hip Hop Holograms: Tupac Shakur, Technological Immortality and Time Travel Ken McCleod Part III: Forecasting Dark Bodies, Africology, and the Narrative Imagination Chapter Seven: Afrofuturism and Religion: Our Old Ship of Zion Andrew Rollins Chapter Eight: Playing a Minority Forecaster in Search of Afrofuturism: Where Am I in this Future, Stewart Brand? Lonny Avi Brooks Chapter Nine: Rewriting the Narrative: Communicology and the Speculative Discourse of Afrofuturism David DeIuliis and Jeff Lohr Chapter Ten: Africana Women's Science Fiction and Narrative Medicine: Difference, Ethics and Empathy Esther Jones Chapter Eleven: "To be African is to Merge Technology and Magic": An Interview with Nnedi Okorafor Quianna Whitted About the Contributors
Introduction to Afrofuturism 2.0 Reynaldo Anderson and Charles E. Jones Part I: Quantum Visions of Futuristic Blackness Chapter One: Reading Wangechi Mutu's Non je ne regrette rien through Kindred Tiffany Barber Chapter Two: Afrofuturism on Web 3.0: Vernacular Cartography and Augmented Space Nettrice Gaskins Chapter Three: The Real Ghost in the Machine: Afrofuturism and the haunting of racial space in I Robot and DETROPIA Ricardo Guthrie Part II: Planetary Vibes, Digital Ciphers, and Hip Hop Sonic Remix Chapter Four: The Armageddon Effect - and Other Afrofuturist Chronopolitics of Alien Nation tobias C. van Veen Chapter Five: Afrofuturism's Musical Princess Janelle Monáe: Psychadelic Soul Message Music Infused with a Sci-Fi Twist Grace D. Gipson Chapter Six: Hip Hop Holograms: Tupac Shakur, Technological Immortality and Time Travel Ken McCleod Part III: Forecasting Dark Bodies, Africology, and the Narrative Imagination Chapter Seven: Afrofuturism and Religion: Our Old Ship of Zion Andrew Rollins Chapter Eight: Playing a Minority Forecaster in Search of Afrofuturism: Where Am I in this Future, Stewart Brand? Lonny Avi Brooks Chapter Nine: Rewriting the Narrative: Communicology and the Speculative Discourse of Afrofuturism David DeIuliis and Jeff Lohr Chapter Ten: Africana Women's Science Fiction and Narrative Medicine: Difference, Ethics and Empathy Esther Jones Chapter Eleven: "To be African is to Merge Technology and Magic": An Interview with Nnedi Okorafor Quianna Whitted About the Contributors
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