Akhtari Begum - Arif Ansari
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Near Sarai Maali Khan, on the backside of Mian Ilmas Ka Imambara, we come to a gate leading into a large, well-built, three-storeyed house. The door is stately but quite ancient, its brass tacks having no trace of shine left. The walls of the compound are broken in various places and in a state of disrepair. The plaster had worn off a long time ago. Now, the lakhori bricks-the thin red-colored bricks made of burnt clay, laid end-to-end-have a white powdery deposit on them in many places.

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Near Sarai Maali Khan, on the backside of Mian Ilmas Ka Imambara, we come to a gate leading into a large, well-built, three-storeyed house. The door is stately but quite ancient, its brass tacks having no trace of shine left. The walls of the compound are broken in various places and in a state of disrepair. The plaster had worn off a long time ago. Now, the lakhori bricks-the thin red-colored bricks made of burnt clay, laid end-to-end-have a white powdery deposit on them in many places.