The first book-length study to address Moore's significance to the Gothic, this volume is also the first to provide in-depth analyses of his spoken-word performances, poetry and prose, as well as his comics and graphic novels.
The first book-length study to address Moore's significance to the Gothic, this volume is also the first to provide in-depth analyses of his spoken-word performances, poetry and prose, as well as his comics and graphic novels.
Matthew J. A. Green is Associate Professor of English at the University of Nottingham
Inhaltsangabe
Part I: Monstrous politics 1. Alan Moore and the Gothic tradition - Matthew J.A. Green 2. 'Soap opera of the paranormal': surreal Englishness and postimperial Gothic in The Bojeffries Saga - Tony Venezia 3. A Gothic politics: Alan Moore's Swamp Thing and radical ecology - Maggie Gray Part II: Gothic tropes 4. 'Is that you, our Jack?': an anatomy of Alan Moore's doubling strategies - Jochen Ecke 5. 'Nothing ever ends': facing the apocalypse in Watchmen - Christian W. Schneider 6. Gothic liminality in V for Vendetta - Markus Oppolzer Part III: Inheritance and adaptation 7. 'The sleep of reason': Swamp Thing and the intertextual reader - Michael Bradshaw 8. Madness and the City: the collapse of reason and sanity in Alan Moore's From Hell - Monica Germanà 9. 'I fashioned a prison that you could not leave': the Gothic imperative in The Castle of Otranto and 'For the man who has everything' - Brad Ricca 10. Radical coterie and the idea of sole survival in St Leon, Frankenstein and Watchmen - Claire Sheridan 11. Reincarnating Mina Murray: subverting the Gothic heroine? - Laura Hilton Part IV: Art, magic, sex, other 12. 'These are not our promised resurrections': unearthing the uncanny in Alan Moore's A Small Killing, From Hell, and A Disease of Language - Christopher Murray 13. Medium, spirits and embodiment in Voice of the Fire - Julia Round 14. A darker magic: heterocosms and bricolage in Moore's recent reworkings of Lovecraft - Matthew J. A. Green Index
Part I: Monstrous politics 1. Alan Moore and the Gothic tradition - Matthew J.A. Green 2. 'Soap opera of the paranormal': surreal Englishness and postimperial Gothic in The Bojeffries Saga - Tony Venezia 3. A Gothic politics: Alan Moore's Swamp Thing and radical ecology - Maggie Gray Part II: Gothic tropes 4. 'Is that you, our Jack?': an anatomy of Alan Moore's doubling strategies - Jochen Ecke 5. 'Nothing ever ends': facing the apocalypse in Watchmen - Christian W. Schneider 6. Gothic liminality in V for Vendetta - Markus Oppolzer Part III: Inheritance and adaptation 7. 'The sleep of reason': Swamp Thing and the intertextual reader - Michael Bradshaw 8. Madness and the City: the collapse of reason and sanity in Alan Moore's From Hell - Monica Germanà 9. 'I fashioned a prison that you could not leave': the Gothic imperative in The Castle of Otranto and 'For the man who has everything' - Brad Ricca 10. Radical coterie and the idea of sole survival in St Leon, Frankenstein and Watchmen - Claire Sheridan 11. Reincarnating Mina Murray: subverting the Gothic heroine? - Laura Hilton Part IV: Art, magic, sex, other 12. 'These are not our promised resurrections': unearthing the uncanny in Alan Moore's A Small Killing, From Hell, and A Disease of Language - Christopher Murray 13. Medium, spirits and embodiment in Voice of the Fire - Julia Round 14. A darker magic: heterocosms and bricolage in Moore's recent reworkings of Lovecraft - Matthew J. A. Green Index
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