This book opens with examinations of moving images in Albania from the Ottoman period, through those captured under independence and the Fascist occupation.
This book opens with examinations of moving images in Albania from the Ottoman period, through those captured under independence and the Fascist occupation.
Bruce Williams is a professor of cultural studies at the William Paterson University of New Jersey. A specialist in film theory and history, his areas of research focus range from issues of national identity in the cinema to films of ethnic minority expression. He is co-author, with Keumsil Kim-Yoon of Two Lenses on the Korean Ethos: Key Cultural Concepts and Their Appearance in Cinema (2015). Williams has published extensively on Hispanic film and on the 'other cinema' of Europe. His current research foregrounds Albanian cinema in the transnational era.
Inhaltsangabe
Preface Acknowledgments Introduction Chapter I: The Roots of Cinema in Albania: The Ottoman Period Independence and the Fascist Occupation Chapter II: The Birth and Development of a Socialist Cinema in Albania Chapter III: The Flourishing of Kinostudio Chapter IV: A Cinema in Isolation Chapter V: Kinostudio in the Post-Hoxha Era Works Cited Some Words in Conclusion-Towards a Cinema of Postcommunism Works Cited Filmography Index
Preface Acknowledgments Introduction Chapter I: The Roots of Cinema in Albania: The Ottoman Period Independence and the Fascist Occupation Chapter II: The Birth and Development of a Socialist Cinema in Albania Chapter III: The Flourishing of Kinostudio Chapter IV: A Cinema in Isolation Chapter V: Kinostudio in the Post-Hoxha Era Works Cited Some Words in Conclusion-Towards a Cinema of Postcommunism Works Cited Filmography Index
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