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Tracing the impact of North America’s longest-running women-led theatre company, this book sheds light on the rise, impact, and redefinition of nonprofessionalizing theatre in Canada.
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Tracing the impact of North America’s longest-running women-led theatre company, this book sheds light on the rise, impact, and redefinition of nonprofessionalizing theatre in Canada.
Produktdetails
- Produktdetails
- Verlag: University of Toronto Press
- Seitenzahl: 534
- Erscheinungstermin: 11. November 2024
- Englisch
- Abmessung: 257mm x 178mm x 36mm
- Gewicht: 1098g
- ISBN-13: 9781487548261
- ISBN-10: 1487548265
- Artikelnr.: 69233540
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: University of Toronto Press
- Seitenzahl: 534
- Erscheinungstermin: 11. November 2024
- Englisch
- Abmessung: 257mm x 178mm x 36mm
- Gewicht: 1098g
- ISBN-13: 9781487548261
- ISBN-10: 1487548265
- Artikelnr.: 69233540
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Robin C. Whittaker is an associate professor of drama at St. Thomas University.
List of Illustrations
Preface
Acknowledgments
Abbreviations
Introduction: Alumnae Theatre Company, Alterity, and the Idea of
Nonprofessionalizing Theatre
Part One: History and Programming
1. The University Years: Founding Daughters and Their Philanthropic Little
Theatre (1918-1939)
2. Producing on the Homefront and in the Postwar Theatre Boom (1939-1957)
3. The Coach House Years and Intellectual Modernism (1957-1972)
4. The Firehall Years in Toronto’s Expanding Theatre Ecology (1972-Present)
Part Two: Perspectives
5. A "Distinct Passage-Way": Theatre Spaces
6. "This is the Competitive Democracy of Amateur Drama": Festivals and
Nationhood
7. "No Cause for Alarm": New Plays
8. "Pace-Setting and Ranging": A Nonprofessionalizing Theatre in the
Professionalizing Era
Conclusions
Appendix 1 Selected Biographies of Alumnae’s Early Women
Appendix 2: Alumnae’s Production History Pre-firehall
Appendix 3: Alumnae Production History Firehall
Notes
Works Cited
Index
Preface
Acknowledgments
Abbreviations
Introduction: Alumnae Theatre Company, Alterity, and the Idea of
Nonprofessionalizing Theatre
Part One: History and Programming
1. The University Years: Founding Daughters and Their Philanthropic Little
Theatre (1918-1939)
2. Producing on the Homefront and in the Postwar Theatre Boom (1939-1957)
3. The Coach House Years and Intellectual Modernism (1957-1972)
4. The Firehall Years in Toronto’s Expanding Theatre Ecology (1972-Present)
Part Two: Perspectives
5. A "Distinct Passage-Way": Theatre Spaces
6. "This is the Competitive Democracy of Amateur Drama": Festivals and
Nationhood
7. "No Cause for Alarm": New Plays
8. "Pace-Setting and Ranging": A Nonprofessionalizing Theatre in the
Professionalizing Era
Conclusions
Appendix 1 Selected Biographies of Alumnae’s Early Women
Appendix 2: Alumnae’s Production History Pre-firehall
Appendix 3: Alumnae Production History Firehall
Notes
Works Cited
Index
List of Illustrations
Preface
Acknowledgments
Abbreviations
Introduction: Alumnae Theatre Company, Alterity, and the Idea of
Nonprofessionalizing Theatre
Part One: History and Programming
1. The University Years: Founding Daughters and Their Philanthropic Little
Theatre (1918-1939)
2. Producing on the Homefront and in the Postwar Theatre Boom (1939-1957)
3. The Coach House Years and Intellectual Modernism (1957-1972)
4. The Firehall Years in Toronto’s Expanding Theatre Ecology (1972-Present)
Part Two: Perspectives
5. A "Distinct Passage-Way": Theatre Spaces
6. "This is the Competitive Democracy of Amateur Drama": Festivals and
Nationhood
7. "No Cause for Alarm": New Plays
8. "Pace-Setting and Ranging": A Nonprofessionalizing Theatre in the
Professionalizing Era
Conclusions
Appendix 1 Selected Biographies of Alumnae’s Early Women
Appendix 2: Alumnae’s Production History Pre-firehall
Appendix 3: Alumnae Production History Firehall
Notes
Works Cited
Index
Preface
Acknowledgments
Abbreviations
Introduction: Alumnae Theatre Company, Alterity, and the Idea of
Nonprofessionalizing Theatre
Part One: History and Programming
1. The University Years: Founding Daughters and Their Philanthropic Little
Theatre (1918-1939)
2. Producing on the Homefront and in the Postwar Theatre Boom (1939-1957)
3. The Coach House Years and Intellectual Modernism (1957-1972)
4. The Firehall Years in Toronto’s Expanding Theatre Ecology (1972-Present)
Part Two: Perspectives
5. A "Distinct Passage-Way": Theatre Spaces
6. "This is the Competitive Democracy of Amateur Drama": Festivals and
Nationhood
7. "No Cause for Alarm": New Plays
8. "Pace-Setting and Ranging": A Nonprofessionalizing Theatre in the
Professionalizing Era
Conclusions
Appendix 1 Selected Biographies of Alumnae’s Early Women
Appendix 2: Alumnae’s Production History Pre-firehall
Appendix 3: Alumnae Production History Firehall
Notes
Works Cited
Index







