Explores the ways in which hybrid poetics have been the driving force in the work of a historically and culturally diverse group of women poets who are part of a robust tradition in contesting the dominant cultural order. Amy Moorman Robbins examines the ways in which five poets use hybridity as an implicitly political strategy to interrupt mainstream American language, literary genres and visual culture and expose the ways in which mass culture has had a powerfully standardising impact on the collective American imagination.
Explores the ways in which hybrid poetics have been the driving force in the work of a historically and culturally diverse group of women poets who are part of a robust tradition in contesting the dominant cultural order. Amy Moorman Robbins examines the ways in which five poets use hybridity as an implicitly political strategy to interrupt mainstream American language, literary genres and visual culture and expose the ways in which mass culture has had a powerfully standardising impact on the collective American imagination.
AMY MOORMAN ROBBINS is an assistant professor of English at Hunter College, CUNY, where she specializes in modern and contemporary experimental poetics with emphasis on the work of women poets. She has published critical essays on the work of Gertrude Stein (Journal of Lesbian Studies), Harryette Mullen (Contemporary Literature), and Alice Notley ( Pacific Coast Philology).
Inhaltsangabe
Acknowledgments Introduction 1. Gertrude Stein's Blood on the Dining-Room Floor: Hybrid Poetics in Modernist / Mass Culture 2. Laura Mullen's Murmur: Crime Fiction, Cruel Optimism, and a Hybrid Poetics of Affect 3. Alice Notley's Disobedience: The Postmodern Subject, Paranoia, and a New Poetics of Noir 4. Harryette Mullen's Poetics in Prose: A Return to the Modernist Hybrid 5. Claudia Rankine's Don't Let Me Be Lonely: A Lyrical Long Poem in a Post-Language Age Notes Index
Acknowledgments Introduction 1. Gertrude Stein's Blood on the Dining-Room Floor: Hybrid Poetics in Modernist / Mass Culture 2. Laura Mullen's Murmur: Crime Fiction, Cruel Optimism, and a Hybrid Poetics of Affect 3. Alice Notley's Disobedience: The Postmodern Subject, Paranoia, and a New Poetics of Noir 4. Harryette Mullen's Poetics in Prose: A Return to the Modernist Hybrid 5. Claudia Rankine's Don't Let Me Be Lonely: A Lyrical Long Poem in a Post-Language Age Notes Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826