This book combines close literary readings with detailed considerations of visual media to demonstrate that key American authors of the past two centuries created new literary forms by reworking the immediacy effects of photography, film, and TV. It will appeal to scholars of American literature.
This book combines close literary readings with detailed considerations of visual media to demonstrate that key American authors of the past two centuries created new literary forms by reworking the immediacy effects of photography, film, and TV. It will appeal to scholars of American literature.
Produktdetails
Produktdetails
Cambridge Studies in American Literature and Culture
The quest for immediacy in American literature and media culture; Part I. Literary Immediacy and Photography: 1. The poet as 'exact reporter of the essential law': Ralph Waldo Emerson's poetics in the context of early photography; 2. 'To exalt the present and the real': Walt Whitman's photographic poetry; 3. The politics of paying attention: the romantic desire for immediacy; Part II. Literary Immediacy and the Cinema: 4. 'Living moving pictures': the thrills of early cinema; 5. 'Making a cinema of it': seriality and presence in Gertrude Stein's early literary portraits; 6. 'A novel like a documentary film': cinematic writing as cultural critique in John Dos Passos's Manhattan Transfer; Part III. Literary Immediacy and Television: 7. Being there: television's aesthetics of immediacy; 8. For real? The critique of TV culture in the short fiction of Robert Coover and David Foster Wallace; 9. "Nothing happens until it is consumed': the remediation of TV images in Don DeLillo's novel Mao II; 10. Fiction in the age of television; Still in pursuit; Bibliography.
The quest for immediacy in American literature and media culture; Part I. Literary Immediacy and Photography: 1. The poet as 'exact reporter of the essential law': Ralph Waldo Emerson's poetics in the context of early photography; 2. 'To exalt the present and the real': Walt Whitman's photographic poetry; 3. The politics of paying attention: the romantic desire for immediacy; Part II. Literary Immediacy and the Cinema: 4. 'Living moving pictures': the thrills of early cinema; 5. 'Making a cinema of it': seriality and presence in Gertrude Stein's early literary portraits; 6. 'A novel like a documentary film': cinematic writing as cultural critique in John Dos Passos's Manhattan Transfer; Part III. Literary Immediacy and Television: 7. Being there: television's aesthetics of immediacy; 8. For real? The critique of TV culture in the short fiction of Robert Coover and David Foster Wallace; 9. "Nothing happens until it is consumed': the remediation of TV images in Don DeLillo's novel Mao II; 10. Fiction in the age of television; Still in pursuit; Bibliography.
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