Adrian Van Den Hoven
An Analysis of Jean-Paul Sartre's Plays in Théâtre Complet
Adrian Van Den Hoven
An Analysis of Jean-Paul Sartre's Plays in Théâtre Complet
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An Analysis of Jean-Paul Sartre's Plays in Théâtre complet is the first volume to propose a critical analysis of all of Jean-Paul Sartre's plays as published in the Bibliothèque de la Pléiade, Paris, Gallimard, 2005. Viewing the plays in the context of Sartre's philosophy, his prose writings and works by other philosophers, novelists, and playwrights, this comprehensive volume is essential reading for students of French literature, theatre, and existentialist philosophy.
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An Analysis of Jean-Paul Sartre's Plays in Théâtre complet is the first volume to propose a critical analysis of all of Jean-Paul Sartre's plays as published in the Bibliothèque de la Pléiade, Paris, Gallimard, 2005. Viewing the plays in the context of Sartre's philosophy, his prose writings and works by other philosophers, novelists, and playwrights, this comprehensive volume is essential reading for students of French literature, theatre, and existentialist philosophy.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 172
- Erscheinungstermin: 26. Dezember 2025
- Englisch
- Abmessung: 229mm x 152mm x 10mm
- Gewicht: 249g
- ISBN-13: 9781032812748
- ISBN-10: 1032812745
- Artikelnr.: 75922240
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Taylor & Francis
- Seitenzahl: 172
- Erscheinungstermin: 26. Dezember 2025
- Englisch
- Abmessung: 229mm x 152mm x 10mm
- Gewicht: 249g
- ISBN-13: 9781032812748
- ISBN-10: 1032812745
- Artikelnr.: 75922240
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Adrian van den Hoven is Professor Emeritus at the University of Windsor and President of the North American Sartre Society. He is the Special Projects Editor of Sartre Studies International.
Jean-Paul Sartre. Playwright. Introduction
Jean-Paul Sartre. Playwright. Introduction
1 Bariona: Sartre's First Play Features a Jewish Village Chief Who Saves
the Christ Child at His Own Peril
2 The Flies and the Vichy Regime: A Bloody Farce
3 No Exit or Bringing the Dead Back to Life
4 Sartre's Story "The Wall", His Play The Victors, and Kant's Moral
Principle: "It Is A Duty to Tell the Truth" in a Philosophical, Literary,
and Political Context
5 Sartre's Play The Victors Seen in the Light of the Scenario Resistance,
Its Preface: "A Film for the Post-War Period" and The Roads to Freedom IV:
The Last Chance. Collaboration, Torture, and Commitment.
6 The Changing Fate of "the Modern Woman": Sartre's The Respectful
Prostitute and Camus's Stage Adaptation Réquiem pour une nonne in the
Context of Flaubert's Madame Bovary, Tolstoy's Anna Karenina, and
Faulkner's novels Sanctuary and Requiem for a Nun
7 Dirty Hands and the Unspoken Truth
8 The Devil and the Good Lord - Demystifying Feudalism, God, and the Good
Lord
9 Kean: From Resentment of the Aristocracy to an Appreciation of
Meritocracy
10 Nekrassov - Anti-communist Capers in a pièce à clefs: Sartre Takes Aim
at Beckett and Camus, Rivals the Marx Brothers and the Keystone Copes, and
Pokes Fun at His Own Philosophy
11 Collusion: The Skeleton in the Closet in The Condemned of Altona
12 The Trojan Women and the Theater of Commitment
13 A Discussion of Sartre's Theatrical Project Entitled Exercising Damage
Control and the Question of Suicide, Psychoanalysis, and Other Themes
14 Recurring Themes and Techniques in Sartre's Theatrical Project Le Pari
(The Wager)
Jean-Paul Sartre. Playwright. Introduction
1 Bariona: Sartre's First Play Features a Jewish Village Chief Who Saves
the Christ Child at His Own Peril
2 The Flies and the Vichy Regime: A Bloody Farce
3 No Exit or Bringing the Dead Back to Life
4 Sartre's Story "The Wall", His Play The Victors, and Kant's Moral
Principle: "It Is A Duty to Tell the Truth" in a Philosophical, Literary,
and Political Context
5 Sartre's Play The Victors Seen in the Light of the Scenario Resistance,
Its Preface: "A Film for the Post-War Period" and The Roads to Freedom IV:
The Last Chance. Collaboration, Torture, and Commitment.
6 The Changing Fate of "the Modern Woman": Sartre's The Respectful
Prostitute and Camus's Stage Adaptation Réquiem pour une nonne in the
Context of Flaubert's Madame Bovary, Tolstoy's Anna Karenina, and
Faulkner's novels Sanctuary and Requiem for a Nun
7 Dirty Hands and the Unspoken Truth
8 The Devil and the Good Lord - Demystifying Feudalism, God, and the Good
Lord
9 Kean: From Resentment of the Aristocracy to an Appreciation of
Meritocracy
10 Nekrassov - Anti-communist Capers in a pièce à clefs: Sartre Takes Aim
at Beckett and Camus, Rivals the Marx Brothers and the Keystone Copes, and
Pokes Fun at His Own Philosophy
11 Collusion: The Skeleton in the Closet in The Condemned of Altona
12 The Trojan Women and the Theater of Commitment
13 A Discussion of Sartre's Theatrical Project Entitled Exercising Damage
Control and the Question of Suicide, Psychoanalysis, and Other Themes
14 Recurring Themes and Techniques in Sartre's Theatrical Project Le Pari
(The Wager)
Jean-Paul Sartre. Playwright. Introduction
Jean-Paul Sartre. Playwright. Introduction
1 Bariona: Sartre's First Play Features a Jewish Village Chief Who Saves the Christ Child at His Own Peril
2 The Flies and the Vichy Regime: A Bloody Farce
3 No Exit or Bringing the Dead Back to Life
4 Sartre's Story "The Wall", His Play The Victors, and Kant's Moral Principle: "It Is A Duty to Tell the Truth" in a Philosophical, Literary, and Political Context
5 Sartre's Play The Victors Seen in the Light of the Scenario Resistance, Its Preface: "A Film for the Post-War Period" and The Roads to Freedom IV: The Last Chance. Collaboration, Torture, and Commitment.
6 The Changing Fate of "the Modern Woman": Sartre's The Respectful Prostitute and Camus's Stage Adaptation Réquiem pour une nonne in the Context of Flaubert's Madame Bovary, Tolstoy's Anna Karenina, and Faulkner's novels Sanctuary and Requiem for a Nun
7 Dirty Hands and the Unspoken Truth
8 The Devil and the Good Lord - Demystifying Feudalism, God, and the Good Lord
9 Kean: From Resentment of the Aristocracy to an Appreciation of Meritocracy
10 Nekrassov - Anti-communist Capers in a pièce à clefs: Sartre Takes Aim at Beckett and Camus, Rivals the Marx Brothers and the Keystone Copes, and Pokes Fun at His Own Philosophy
11 Collusion: The Skeleton in the Closet in The Condemned of Altona
12 The Trojan Women and the Theater of Commitment
13 A Discussion of Sartre's Theatrical Project Entitled Exercising Damage Control and the Question of Suicide, Psychoanalysis, and Other Themes
14 Recurring Themes and Techniques in Sartre's Theatrical Project Le Pari (The Wager)
Jean-Paul Sartre. Playwright. Introduction
1 Bariona: Sartre's First Play Features a Jewish Village Chief Who Saves the Christ Child at His Own Peril
2 The Flies and the Vichy Regime: A Bloody Farce
3 No Exit or Bringing the Dead Back to Life
4 Sartre's Story "The Wall", His Play The Victors, and Kant's Moral Principle: "It Is A Duty to Tell the Truth" in a Philosophical, Literary, and Political Context
5 Sartre's Play The Victors Seen in the Light of the Scenario Resistance, Its Preface: "A Film for the Post-War Period" and The Roads to Freedom IV: The Last Chance. Collaboration, Torture, and Commitment.
6 The Changing Fate of "the Modern Woman": Sartre's The Respectful Prostitute and Camus's Stage Adaptation Réquiem pour une nonne in the Context of Flaubert's Madame Bovary, Tolstoy's Anna Karenina, and Faulkner's novels Sanctuary and Requiem for a Nun
7 Dirty Hands and the Unspoken Truth
8 The Devil and the Good Lord - Demystifying Feudalism, God, and the Good Lord
9 Kean: From Resentment of the Aristocracy to an Appreciation of Meritocracy
10 Nekrassov - Anti-communist Capers in a pièce à clefs: Sartre Takes Aim at Beckett and Camus, Rivals the Marx Brothers and the Keystone Copes, and Pokes Fun at His Own Philosophy
11 Collusion: The Skeleton in the Closet in The Condemned of Altona
12 The Trojan Women and the Theater of Commitment
13 A Discussion of Sartre's Theatrical Project Entitled Exercising Damage Control and the Question of Suicide, Psychoanalysis, and Other Themes
14 Recurring Themes and Techniques in Sartre's Theatrical Project Le Pari (The Wager)
Jean-Paul Sartre. Playwright. Introduction
Jean-Paul Sartre. Playwright. Introduction
1 Bariona: Sartre's First Play Features a Jewish Village Chief Who Saves
the Christ Child at His Own Peril
2 The Flies and the Vichy Regime: A Bloody Farce
3 No Exit or Bringing the Dead Back to Life
4 Sartre's Story "The Wall", His Play The Victors, and Kant's Moral
Principle: "It Is A Duty to Tell the Truth" in a Philosophical, Literary,
and Political Context
5 Sartre's Play The Victors Seen in the Light of the Scenario Resistance,
Its Preface: "A Film for the Post-War Period" and The Roads to Freedom IV:
The Last Chance. Collaboration, Torture, and Commitment.
6 The Changing Fate of "the Modern Woman": Sartre's The Respectful
Prostitute and Camus's Stage Adaptation Réquiem pour une nonne in the
Context of Flaubert's Madame Bovary, Tolstoy's Anna Karenina, and
Faulkner's novels Sanctuary and Requiem for a Nun
7 Dirty Hands and the Unspoken Truth
8 The Devil and the Good Lord - Demystifying Feudalism, God, and the Good
Lord
9 Kean: From Resentment of the Aristocracy to an Appreciation of
Meritocracy
10 Nekrassov - Anti-communist Capers in a pièce à clefs: Sartre Takes Aim
at Beckett and Camus, Rivals the Marx Brothers and the Keystone Copes, and
Pokes Fun at His Own Philosophy
11 Collusion: The Skeleton in the Closet in The Condemned of Altona
12 The Trojan Women and the Theater of Commitment
13 A Discussion of Sartre's Theatrical Project Entitled Exercising Damage
Control and the Question of Suicide, Psychoanalysis, and Other Themes
14 Recurring Themes and Techniques in Sartre's Theatrical Project Le Pari
(The Wager)
Jean-Paul Sartre. Playwright. Introduction
1 Bariona: Sartre's First Play Features a Jewish Village Chief Who Saves
the Christ Child at His Own Peril
2 The Flies and the Vichy Regime: A Bloody Farce
3 No Exit or Bringing the Dead Back to Life
4 Sartre's Story "The Wall", His Play The Victors, and Kant's Moral
Principle: "It Is A Duty to Tell the Truth" in a Philosophical, Literary,
and Political Context
5 Sartre's Play The Victors Seen in the Light of the Scenario Resistance,
Its Preface: "A Film for the Post-War Period" and The Roads to Freedom IV:
The Last Chance. Collaboration, Torture, and Commitment.
6 The Changing Fate of "the Modern Woman": Sartre's The Respectful
Prostitute and Camus's Stage Adaptation Réquiem pour une nonne in the
Context of Flaubert's Madame Bovary, Tolstoy's Anna Karenina, and
Faulkner's novels Sanctuary and Requiem for a Nun
7 Dirty Hands and the Unspoken Truth
8 The Devil and the Good Lord - Demystifying Feudalism, God, and the Good
Lord
9 Kean: From Resentment of the Aristocracy to an Appreciation of
Meritocracy
10 Nekrassov - Anti-communist Capers in a pièce à clefs: Sartre Takes Aim
at Beckett and Camus, Rivals the Marx Brothers and the Keystone Copes, and
Pokes Fun at His Own Philosophy
11 Collusion: The Skeleton in the Closet in The Condemned of Altona
12 The Trojan Women and the Theater of Commitment
13 A Discussion of Sartre's Theatrical Project Entitled Exercising Damage
Control and the Question of Suicide, Psychoanalysis, and Other Themes
14 Recurring Themes and Techniques in Sartre's Theatrical Project Le Pari
(The Wager)
Jean-Paul Sartre. Playwright. Introduction
Jean-Paul Sartre. Playwright. Introduction
1 Bariona: Sartre's First Play Features a Jewish Village Chief Who Saves the Christ Child at His Own Peril
2 The Flies and the Vichy Regime: A Bloody Farce
3 No Exit or Bringing the Dead Back to Life
4 Sartre's Story "The Wall", His Play The Victors, and Kant's Moral Principle: "It Is A Duty to Tell the Truth" in a Philosophical, Literary, and Political Context
5 Sartre's Play The Victors Seen in the Light of the Scenario Resistance, Its Preface: "A Film for the Post-War Period" and The Roads to Freedom IV: The Last Chance. Collaboration, Torture, and Commitment.
6 The Changing Fate of "the Modern Woman": Sartre's The Respectful Prostitute and Camus's Stage Adaptation Réquiem pour une nonne in the Context of Flaubert's Madame Bovary, Tolstoy's Anna Karenina, and Faulkner's novels Sanctuary and Requiem for a Nun
7 Dirty Hands and the Unspoken Truth
8 The Devil and the Good Lord - Demystifying Feudalism, God, and the Good Lord
9 Kean: From Resentment of the Aristocracy to an Appreciation of Meritocracy
10 Nekrassov - Anti-communist Capers in a pièce à clefs: Sartre Takes Aim at Beckett and Camus, Rivals the Marx Brothers and the Keystone Copes, and Pokes Fun at His Own Philosophy
11 Collusion: The Skeleton in the Closet in The Condemned of Altona
12 The Trojan Women and the Theater of Commitment
13 A Discussion of Sartre's Theatrical Project Entitled Exercising Damage Control and the Question of Suicide, Psychoanalysis, and Other Themes
14 Recurring Themes and Techniques in Sartre's Theatrical Project Le Pari (The Wager)
Jean-Paul Sartre. Playwright. Introduction
1 Bariona: Sartre's First Play Features a Jewish Village Chief Who Saves the Christ Child at His Own Peril
2 The Flies and the Vichy Regime: A Bloody Farce
3 No Exit or Bringing the Dead Back to Life
4 Sartre's Story "The Wall", His Play The Victors, and Kant's Moral Principle: "It Is A Duty to Tell the Truth" in a Philosophical, Literary, and Political Context
5 Sartre's Play The Victors Seen in the Light of the Scenario Resistance, Its Preface: "A Film for the Post-War Period" and The Roads to Freedom IV: The Last Chance. Collaboration, Torture, and Commitment.
6 The Changing Fate of "the Modern Woman": Sartre's The Respectful Prostitute and Camus's Stage Adaptation Réquiem pour une nonne in the Context of Flaubert's Madame Bovary, Tolstoy's Anna Karenina, and Faulkner's novels Sanctuary and Requiem for a Nun
7 Dirty Hands and the Unspoken Truth
8 The Devil and the Good Lord - Demystifying Feudalism, God, and the Good Lord
9 Kean: From Resentment of the Aristocracy to an Appreciation of Meritocracy
10 Nekrassov - Anti-communist Capers in a pièce à clefs: Sartre Takes Aim at Beckett and Camus, Rivals the Marx Brothers and the Keystone Copes, and Pokes Fun at His Own Philosophy
11 Collusion: The Skeleton in the Closet in The Condemned of Altona
12 The Trojan Women and the Theater of Commitment
13 A Discussion of Sartre's Theatrical Project Entitled Exercising Damage Control and the Question of Suicide, Psychoanalysis, and Other Themes
14 Recurring Themes and Techniques in Sartre's Theatrical Project Le Pari (The Wager)







