Dravidian art is one of the visible features which defines the South Indian form of architecture. Initially, Gramadevata was the South Indian village deity that was revered, as temples were not prevalent during the ancient times, particularly during the pre-Sangam and Sangam periods.
Dravidian art is one of the visible features which defines the South Indian form of architecture. Initially, Gramadevata was the South Indian village deity that was revered, as temples were not prevalent during the ancient times, particularly during the pre-Sangam and Sangam periods.
The author N. Venkata Ramanayya was a historian specializing in early and medieval South India. He authored books like Vijayanagara: Origin of the City and the Empire; Velugotivarivamsavali, etc.
Inhaltsangabe
I Introduction II The Sacred Tree III The Pre-Historic Graves IV The Stone Ring of the Magic Circle V The Toda Azabams and the primitive Temple VI The Primitive Temple and the Temple of the Village Deity VII The Origin of the Vimana VIII The Buddhist Origin of the Hindu Temple IX The Extent of the Buddhist Indebtedness: The Stupa X The Chaitya XI The Hindu Temple and the Buddhist Temple XII The Pallavas and the South Indian Temple XIII The Dolmen Temple and the Toda Boath XIV The Vimanas of Different Types XV The Conclusion
I Introduction II The Sacred Tree III The Pre-Historic Graves IV The Stone Ring of the Magic Circle V The Toda Azabams and the primitive Temple VI The Primitive Temple and the Temple of the Village Deity VII The Origin of the Vimana VIII The Buddhist Origin of the Hindu Temple IX The Extent of the Buddhist Indebtedness: The Stupa X The Chaitya XI The Hindu Temple and the Buddhist Temple XII The Pallavas and the South Indian Temple XIII The Dolmen Temple and the Toda Boath XIV The Vimanas of Different Types XV The Conclusion
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