Like the phases of the moon, fortunes wax & wane. From humble beginnings in Lacock; from hard-working agricultural labourer stock in Avon, to mining and engineering, the Fortune family flourished as it spread throughout the globe. From gold digging in NZ, to administration in Hong Kong, the Fortunes worked far & wide. The inevitability of war sorted the men from the boys & the Fortunes were there; but sometimes at a terrible price. Not only did great-grandfather, John Alfred Fortune, lose cousins though; his own mother was to disappear in very mysterious circumstances. Was it murder? Did she…mehr
Like the phases of the moon, fortunes wax & wane. From humble beginnings in Lacock; from hard-working agricultural labourer stock in Avon, to mining and engineering, the Fortune family flourished as it spread throughout the globe. From gold digging in NZ, to administration in Hong Kong, the Fortunes worked far & wide. The inevitability of war sorted the men from the boys & the Fortunes were there; but sometimes at a terrible price. Not only did great-grandfather, John Alfred Fortune, lose cousins though; his own mother was to disappear in very mysterious circumstances. Was it murder? Did she run off with Sailor Sam to the antipodes, or was she just not able to deal with family life? But what she left behind was an urge to travel in John Alfred Fortune, an urge to help others and a benevolent attitude to those who worked for him. In his short life he served the aorta of England, the River Thames as Conservancy Engineer, but did the River serve him? However one views it, his legacy, his monument, is that River.
This, the third and most involved work by the author on the growing research into Stone Age portable rock art, is a must read for all interested parties. Beginning with handaxes crafted by the earliest inhabitants of the British Isles, one million years ago, it details that they carved, pecked and knapped these artefacts as art. Handaxes of all types, shapes and forms were not so much meant for use as weapons, but more as tools and ceremonial objects, having dual ritualistic and practical functions. Passed down as ancestral heirlooms, they became enthused with 'mana' and were often placed as offerings in streams, or at tomb and grave sites, or by sacred groves. Until now, the designs seen of these artefacts have not generally been recognised as art. The main theme of this work therefore is to introduce these artforms in detail to the world of archaeology and the public alike. Intangible, ritualistic meanings they once held, yet tangible stone art they remain, preserved as monuments to the skill and cognitive abilities of our most distant ancestors.
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