This volume includes material extending from evidence of Frankish influence on Bath Abbey to a post-Conquest gradual recognized as testimony to pre-Conquest music.
This volume includes material extending from evidence of Frankish influence on Bath Abbey to a post-Conquest gradual recognized as testimony to pre-Conquest music.
List of illustrations; 1. Continental influence at Bath monastery in the seventh century Patrick Sims-Williams; 2. Linguistic facts and the interpretation of Old English poetry Bruce Mitchell; 3. The garments that honour the cross in The Dream of the Rood James Smith; 4. Figural narrative in Cynewulf's Juliana Joseph Wittig; 5. Old English composite homilies from Winchester M. R. Godden; 6. The hermeneutic style in tenth-century Anglo-Latin literature Michael Lapidge; 7. A Canterbury classbook of the mid-eleventh century (the 'Cambridge Songs' manuscript) A. G. Rigg and G. R. Wieland; 8. An unknown English Benedictine gradual of the eleventh century K. D. Hartzell; 9. Some aesthetic principles in the use of colour in Anglo-Saxon art J. J. G. Alexander; 10. Corrections to Hildebrand's corpus of Anglo-Saxon moneyers: from Cnut to Edward the Confessor Veronica Smart; 11. Late Anglo-Saxon metal-work: an assessment David A. Hinton; 12. The Vikings in England: a review Gillian Fellows Jensen; 13. Short titles of Old English texts Bruce Mitchell, Christopher Ball and Angus Cameron; 14. Bibliography for 1974 Martin Biddle, Alan Brown, T. J. Brown, Peter A. Clayton and Peter Hunter Blair.
List of illustrations; 1. Continental influence at Bath monastery in the seventh century Patrick Sims-Williams; 2. Linguistic facts and the interpretation of Old English poetry Bruce Mitchell; 3. The garments that honour the cross in The Dream of the Rood James Smith; 4. Figural narrative in Cynewulf's Juliana Joseph Wittig; 5. Old English composite homilies from Winchester M. R. Godden; 6. The hermeneutic style in tenth-century Anglo-Latin literature Michael Lapidge; 7. A Canterbury classbook of the mid-eleventh century (the 'Cambridge Songs' manuscript) A. G. Rigg and G. R. Wieland; 8. An unknown English Benedictine gradual of the eleventh century K. D. Hartzell; 9. Some aesthetic principles in the use of colour in Anglo-Saxon art J. J. G. Alexander; 10. Corrections to Hildebrand's corpus of Anglo-Saxon moneyers: from Cnut to Edward the Confessor Veronica Smart; 11. Late Anglo-Saxon metal-work: an assessment David A. Hinton; 12. The Vikings in England: a review Gillian Fellows Jensen; 13. Short titles of Old English texts Bruce Mitchell, Christopher Ball and Angus Cameron; 14. Bibliography for 1974 Martin Biddle, Alan Brown, T. J. Brown, Peter A. Clayton and Peter Hunter Blair.
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