An experimental work of creative non-fiction that challenges art history, confronts colonial ableism, and reclaims a stolen spirit. In Annah, Infinite, the dominant narratives surrounding Paul Gauguin's famous painting Annah la Javanaise (1893-94) are turned upside down. The book argues a simple point: what if the portrait is not one of a consenting muse, but a child in pain? Annah, Infinite questions the colonial power that has defined the infamous subject's unknown history. Through the mythology of Annah, Okka draws attention to the systems of ablenormativity, racism, and sexism that shape…mehr
An experimental work of creative non-fiction that challenges art history, confronts colonial ableism, and reclaims a stolen spirit. In Annah, Infinite, the dominant narratives surrounding Paul Gauguin's famous painting Annah la Javanaise (1893-94) are turned upside down. The book argues a simple point: what if the portrait is not one of a consenting muse, but a child in pain? Annah, Infinite questions the colonial power that has defined the infamous subject's unknown history. Through the mythology of Annah, Okka draws attention to the systems of ablenormativity, racism, and sexism that shape what we learn of art history and what we see on museum walls. Alongside her critique, the author engages with Annah la Javanaise through poetry, fiction, and visual art. A work of emotional heft, Okka asks us to acknowledge the possibility of pain in every single portrait, as well as the possibility of escape.
Khairani Barokka is a writer, artist, arts consultant, translator and editor from Jakarta. Okka's work has been presented widely internationally, and centres disability justice as anticolonial praxis, environmental justice, and access as translation. She regularly teaches, mentors, and consults for arts organisations, and has a PhD by Practice in Visual Cultures from Goldsmiths, University of London. Among her honours, she has been a UNFPA Indonesian Young Leader Driving Social Change, a Delfina Foundation Associate Artist, an Artforum Must-See, and Associate Artist at the UK's National Centre for Writing. She was the first Poet-in-Residence at Modern Poetry in Translation, and later became the magazine's first non-British Editor. In 2023, Okka was shortlisted for the Asian Women of Achievement Awards in the Arts and Culture Category. Her books include Indigenous Species (Tilted Axis), Stairs and Whispers: D/deaf and Disabled Poets Write Back (Nine Arches, as co-editor), Rope (Nine Arches), Ultimatum Orangutan (Nine Arches), shortlisted for the 2022 Barbellion Prize, and 2024's amuk (Nine Arches). Annah, Infinite (Tilted Axis) is her creative nonfiction debut.
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