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From "Home Thoughts, from Abroad", a poem in this collection: ...there is always enough time, don't see what everybody is always complaining about, always enough time, always exactly enough... how c'd. it be any other way? >In his monographs like Play of the World (2015) and Theatre of Naturalism (2011), PB has written extensively about performance, obviously one of his major passions and obsessions. It's likely also that some kind of notion of life as performance provides PB with a mirror of his own performance in the world, observing himself observing himself, observing others observing…mehr

Produktbeschreibung
From "Home Thoughts, from Abroad", a poem in this collection: ...there is always enough time, don't see what everybody is always complaining about, always enough time, always exactly enough... how c'd. it be any other way? >In his monographs like Play of the World (2015) and Theatre of Naturalism (2011), PB has written extensively about performance, obviously one of his major passions and obsessions. It's likely also that some kind of notion of life as performance provides PB with a mirror of his own performance in the world, observing himself observing himself, observing others observing themselves, always gauging their and our performance, which he calls in the frame: The effort is to get others to see you the way you see yourself or is it to see yourself the way others see you?
Autorenporträt
Philip Beitchman is a poet, diarist, teacher, scholar, novelist and translator now residing in Brooklyn. He as published 5 monographs on literary and philosophical subjects, starting with I Am a Process With No Subject, the most recent being The Play of the World, as well as a book of poetry, Getting Back: Selected Poetry, 1978-2010. He is currently preparing for publication The Poverty of Philosophy, a work centered on the non-philosophy of François Laruelle.