Through detailed images of ancestors and wilderness places, through renderings of story, tribal history, and family ritual, award-winning Anishinaabe author Kimberly Blaeser explores our mesh of tangled origins.
Through detailed images of ancestors and wilderness places, through renderings of story, tribal history, and family ritual, award-winning Anishinaabe author Kimberly Blaeser explores our mesh of tangled origins.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Kimberly Blaeser is a Professor at University of Wisconsin-Milwaukee where she teaches Creative Writing, Native American Literature, and American Nature Writing. Her publications include two books of poetry Trailing You, winner of the first book award from the Native Writers' Circle of the Americas, and Absentee Indians and Other Poems, as well as a scholarly study, Gerald Vizenor: Writing in the Oral Tradition. Of Anishinaabe ancestry and an enrolled member of the Minnesota Chippewa Tribe who grew up on the White Earth Reservation, Blaeser is also the editor of Stories Migrating Home: A Collection of Anishinaabe Prose and Traces in Blood, Bone, and Stone: Contemporary Ojibwe Poetry. Her most recent critical publication is a 100-page essay on Native poetry, "Cannons and Canonization," in The Columbia Guide to American Indian Literatures of the United States. Kim lives with her husband and two young children in the woods and wetlands of rural Lyons township Wisconsin.
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Acknowledgements I. THE TURN WE TAKE Family Tree Shadow Sisters A Boxer Grandfather Mashkawapide Jingles You Made The Womanless Wedding The More I Learn of Men's Plumbing MIA, Foreign and Domestic II. THAT WHICH REFUSES PRETENTION Cranes flushed from a field Some Kind of Likeness The Spirit of Matter grace of crossings Somewhere on the Verge Two Oak Stories Gelatin tadpoles Boundaries Memories of Rock Listing Ecstatic Drawing Breath Seasonal: Blue Winter, Kirkenes Fire Rain-soaked snowman's scarf Wild turkeys at field gate House Work 20 September Ooh...Ahh! Haiku Journey Northern follows jig III. TO TRAVEL WITH YOU Of Wind and Trees Fingers paused on keyboard Told at Beartooth in July Sun through window slats Something Deep Like Copper If I Laid Them End to End Indian in Search of an Entourage Bizaan Page Proofs Goodbye to All That Railroad Song Stories of Fire This Dance IV. . . . IN THE AFTERMATH OF EVERY WAR Red Lake 70 Housing Conditions of One Hundred Fifty Chippewa Families Dictionary for a New Century The Things I Know Who Talks Politics Fantasies of Women V. GONE. OR GONE ON. AGAIN What They Did by Lamplight Refractions Crunch of booted feet Resisting Shape or Language Weavings For Cousins Who Died Too Young July 29, 2002 Apprenticed to Justice
Acknowledgements I. THE TURN WE TAKE Family Tree Shadow Sisters A Boxer Grandfather Mashkawapide Jingles You Made The Womanless Wedding The More I Learn of Men's Plumbing MIA, Foreign and Domestic II. THAT WHICH REFUSES PRETENTION Cranes flushed from a field Some Kind of Likeness The Spirit of Matter grace of crossings Somewhere on the Verge Two Oak Stories Gelatin tadpoles Boundaries Memories of Rock Listing Ecstatic Drawing Breath Seasonal: Blue Winter, Kirkenes Fire Rain-soaked snowman's scarf Wild turkeys at field gate House Work 20 September Ooh...Ahh! Haiku Journey Northern follows jig III. TO TRAVEL WITH YOU Of Wind and Trees Fingers paused on keyboard Told at Beartooth in July Sun through window slats Something Deep Like Copper If I Laid Them End to End Indian in Search of an Entourage Bizaan Page Proofs Goodbye to All That Railroad Song Stories of Fire This Dance IV. . . . IN THE AFTERMATH OF EVERY WAR Red Lake 70 Housing Conditions of One Hundred Fifty Chippewa Families Dictionary for a New Century The Things I Know Who Talks Politics Fantasies of Women V. GONE. OR GONE ON. AGAIN What They Did by Lamplight Refractions Crunch of booted feet Resisting Shape or Language Weavings For Cousins Who Died Too Young July 29, 2002 Apprenticed to Justice
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