Andere Kunden interessierten sich auch für
![Universal Principles of Color]( "Universal Principles of Color")
Universal Principles of Color23,99 €![The Visual Culture Reader]( "The Visual Culture Reader")
The Visual Culture Reader65,99 €![The End of Art Theory]( "The End of Art Theory")
The End of Art Theory55,99 €![Some Approaches to a Judgment in Painting]( "Some Approaches to a Judgment in Painting")
Some Approaches to a Judgment in Painting14,99 €![Aesthetic Temporalities Today - Present, Presentness, Re-Presentation]( "Aesthetic Temporalities Today - Present, Presentness, Re-Presentation")
Aesthetic Temporalities Today - Present, Presentness, Re-Presentation40,00 €![Guitar Electronics Understanding Wiring]( "Guitar Electronics Understanding Wiring")
Guitar Electronics Understanding Wiring17,99 €![Understanding International Art Markets and Management]( "Understanding International Art Markets and Management")
Understanding International Art Markets and Management90,99 €
"What is it that happens when we understand something?" Malcolm Barnard relates the understanding of visual culture to the traditions of natural and social science and applies the theme of scientific understanding to the principal approaches to understanding art and design. Formalist, Marxist, gender-based, semiological, hermeneutic, and expressionist approaches to visual culture are clearly explained, through a wide variety of examples from fashion, architecture, film, fine art, and comics.
This text provides an accessible critical introduction to a variety of different analytic strategies for understanding the range of objects (paintings, sculpture, adverts, furniture, textiles, photography, fashion, etc.) that make up visual culture. Beginning with a discussion of what understanding can be taken to mean in relation to visual culture, it devotes separate chapters to different approaches to its study, using carefully chosen examples to illustrate the strengths and weaknesses of these. The major figures associated with particular analytic strategies (Hebdige, Panofsky, Barthes, Wolff, etc.) are critically discussed throughout. Alternative, more advanced readings are also explored and crucial questions posed, such as 'Are we always, or ever, in control of our understanding?'
This text provides an accessible critical introduction to a variety of different analytic strategies for understanding the range of objects (paintings, sculpture, adverts, furniture, textiles, photography, fashion, etc.) that make up visual culture. Beginning with a discussion of what understanding can be taken to mean in relation to visual culture, it devotes separate chapters to different approaches to its study, using carefully chosen examples to illustrate the strengths and weaknesses of these. The major figures associated with particular analytic strategies (Hebdige, Panofsky, Barthes, Wolff, etc.) are critically discussed throughout. Alternative, more advanced readings are also explored and crucial questions posed, such as 'Are we always, or ever, in control of our understanding?'