Arabian Nights in Historical Context
Between East and West
Herausgeber: Makdisi, Saree; Nussbaum, Felicity A
Arabian Nights in Historical Context
Between East and West
Herausgeber: Makdisi, Saree; Nussbaum, Felicity A
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- Produkterinnerung
- Produkterinnerung
In the 300 hundred years following the translation of 'The Arabian Nights' into French and English, a chain of editions, compilations, translations, and variations has circled the globe. Here scholars from across the world reassess the influence of the Nights in Enlightenment and Romantic literature and beyond.
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In the 300 hundred years following the translation of 'The Arabian Nights' into French and English, a chain of editions, compilations, translations, and variations has circled the globe. Here scholars from across the world reassess the influence of the Nights in Enlightenment and Romantic literature and beyond.
Produktdetails
- Produktdetails
- Verlag: OUP Oxford
- Seitenzahl: 352
- Erscheinungstermin: 13. November 2008
- Englisch
- Abmessung: 240mm x 161mm x 23mm
- Gewicht: 693g
- ISBN-13: 9780199554157
- ISBN-10: 0199554153
- Artikelnr.: 26100258
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: OUP Oxford
- Seitenzahl: 352
- Erscheinungstermin: 13. November 2008
- Englisch
- Abmessung: 240mm x 161mm x 23mm
- Gewicht: 693g
- ISBN-13: 9780199554157
- ISBN-10: 0199554153
- Artikelnr.: 26100258
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Saree Makdisi is Professor of English and Comparative Literature at the University of California, Los Angeles. He is the author of Romantic Imperialism: Universal Empire and the Culture of Modernity (1998), and William Blake and the Impossible History of the 1790s (2003). He has also written a number of articles for publications including Critical Inquiry, South Atlantic Quarterly, Studies in Romanticism, The Cambridge Companion to Blake, The Oxford Encyclopedia of British Literature, and The Cambridge Companion to English Literature, 1740-1830. Felicity Nussbaum is Professor of English at the University of California, Los Angeles, and Senior Global Fellow with the International Institute. She is the author most recently of The Limits of the Human: Fictions of Anomaly, Race, and Gender in the Long Eighteenth Century (2003), and the editor of The Global Eighteenth Century (2003). Among her other publications are The Autobiographical Subject: Gender and Ideology in Eighteenth-Century England (1989), co-winner of the Louis Gottschalk Prize; and Torrid Zones: Maternity, Sexuality, and Empire (1995).
* Introduction
* 1: Madeleine Dobie: Translation in the Contact Zone: Antoine
Galland's Mille et une nuits: contes arabes
* 2: Robert L. Mack: Cultivating the Garden: Antoine Galland's Arabian
Nights in the Traditions of English Literature
* 3: Ros Ballaster: Playing the Second String: The Role of Dinarzade in
Eighteenth-Century English Fiction
* 4: Bridget Orr: Galland, Georgian Theater, and the Creation of
Popular Orientalism
* 5: Nabil Matar: Christians in The Arabian Nights
* 6: Khalid Bekkaoui: White Women and Moorish Fancy in
Eighteenth-Century Literature
* 7: Donna Landry: William Beckford's Vathek and the Uses of Oriental
Reenactment
* 8: James Watt: The peculiar character of the Arabian Tale: William
Beckford and The Arabian Nights
* 9: Tim Fulford: Coleridge and the Oriental Tale
* 10: Srinivas Aravamudan: The Adventure Chronotope and the Oriental
Xenotrope: Galland, Sheridan, and Joyce Domesticate The Arabian
Nights
* 11: Nasser Al-Taee: Under the Spell of Magic: The Oriental Tale in
Rimsky-Korsakov's Scheherazade
* 12: Maher Jarrar: The Influence of The Arabian Nights on the
Contemporary Arabic Novel
* 1: Madeleine Dobie: Translation in the Contact Zone: Antoine
Galland's Mille et une nuits: contes arabes
* 2: Robert L. Mack: Cultivating the Garden: Antoine Galland's Arabian
Nights in the Traditions of English Literature
* 3: Ros Ballaster: Playing the Second String: The Role of Dinarzade in
Eighteenth-Century English Fiction
* 4: Bridget Orr: Galland, Georgian Theater, and the Creation of
Popular Orientalism
* 5: Nabil Matar: Christians in The Arabian Nights
* 6: Khalid Bekkaoui: White Women and Moorish Fancy in
Eighteenth-Century Literature
* 7: Donna Landry: William Beckford's Vathek and the Uses of Oriental
Reenactment
* 8: James Watt: The peculiar character of the Arabian Tale: William
Beckford and The Arabian Nights
* 9: Tim Fulford: Coleridge and the Oriental Tale
* 10: Srinivas Aravamudan: The Adventure Chronotope and the Oriental
Xenotrope: Galland, Sheridan, and Joyce Domesticate The Arabian
Nights
* 11: Nasser Al-Taee: Under the Spell of Magic: The Oriental Tale in
Rimsky-Korsakov's Scheherazade
* 12: Maher Jarrar: The Influence of The Arabian Nights on the
Contemporary Arabic Novel
* Introduction
* 1: Madeleine Dobie: Translation in the Contact Zone: Antoine
Galland's Mille et une nuits: contes arabes
* 2: Robert L. Mack: Cultivating the Garden: Antoine Galland's Arabian
Nights in the Traditions of English Literature
* 3: Ros Ballaster: Playing the Second String: The Role of Dinarzade in
Eighteenth-Century English Fiction
* 4: Bridget Orr: Galland, Georgian Theater, and the Creation of
Popular Orientalism
* 5: Nabil Matar: Christians in The Arabian Nights
* 6: Khalid Bekkaoui: White Women and Moorish Fancy in
Eighteenth-Century Literature
* 7: Donna Landry: William Beckford's Vathek and the Uses of Oriental
Reenactment
* 8: James Watt: The peculiar character of the Arabian Tale: William
Beckford and The Arabian Nights
* 9: Tim Fulford: Coleridge and the Oriental Tale
* 10: Srinivas Aravamudan: The Adventure Chronotope and the Oriental
Xenotrope: Galland, Sheridan, and Joyce Domesticate The Arabian
Nights
* 11: Nasser Al-Taee: Under the Spell of Magic: The Oriental Tale in
Rimsky-Korsakov's Scheherazade
* 12: Maher Jarrar: The Influence of The Arabian Nights on the
Contemporary Arabic Novel
* 1: Madeleine Dobie: Translation in the Contact Zone: Antoine
Galland's Mille et une nuits: contes arabes
* 2: Robert L. Mack: Cultivating the Garden: Antoine Galland's Arabian
Nights in the Traditions of English Literature
* 3: Ros Ballaster: Playing the Second String: The Role of Dinarzade in
Eighteenth-Century English Fiction
* 4: Bridget Orr: Galland, Georgian Theater, and the Creation of
Popular Orientalism
* 5: Nabil Matar: Christians in The Arabian Nights
* 6: Khalid Bekkaoui: White Women and Moorish Fancy in
Eighteenth-Century Literature
* 7: Donna Landry: William Beckford's Vathek and the Uses of Oriental
Reenactment
* 8: James Watt: The peculiar character of the Arabian Tale: William
Beckford and The Arabian Nights
* 9: Tim Fulford: Coleridge and the Oriental Tale
* 10: Srinivas Aravamudan: The Adventure Chronotope and the Oriental
Xenotrope: Galland, Sheridan, and Joyce Domesticate The Arabian
Nights
* 11: Nasser Al-Taee: Under the Spell of Magic: The Oriental Tale in
Rimsky-Korsakov's Scheherazade
* 12: Maher Jarrar: The Influence of The Arabian Nights on the
Contemporary Arabic Novel







