With an Introduction by Rod Mengham. In The Silo, John Kinsella's fifth book of poems (and the second published by Arc), the poet examines the role of the artist in the landscape and the unique character of rural life. Using Beethoven's 6th ('Pastoral') Symphony as the framework for the collection, he explores the music of an Australian rural landscape and the European impact on a tenacious yet fragile environment. "Many of the poems are vintage Kinsella, suffused in the beautifully audacious language of his later pastorals ¿ the metonymical manipulations of time and place that set you down…mehr
With an Introduction by Rod Mengham. In The Silo, John Kinsella's fifth book of poems (and the second published by Arc), the poet examines the role of the artist in the landscape and the unique character of rural life. Using Beethoven's 6th ('Pastoral') Symphony as the framework for the collection, he explores the music of an Australian rural landscape and the European impact on a tenacious yet fragile environment. "Many of the poems are vintage Kinsella, suffused in the beautifully audacious language of his later pastorals ¿ the metonymical manipulations of time and place that set you down firmly in the Australian landscape-history, yet by the end of the poem leave you wondering how he ever arrived at such seamless transformations and transportations." Andy Brown, PQR "The Silo is a fine sequence of poems, giving us a tough, focused, loving picture of Kinsella's heartland." Peter Bland, The London Magazine "John Kinsella, in The Silo, shows himself to be an authentic poet, astonishingly individuated. There are only a handful (or fewer) English-language poets of his generation whose work is already so original, so fully formed, and so clearly destined to become part of the central tradition." Harold Bloom John Kinsella was born in Perth, Australia in 1963. He studied at the University of Western Australia and travelled extensively through Europe, the Middle East and Asia. He is a prolific writer and author of over 25 books, and has published poems in literary journals internationally and has received a number of literary awards. Since 1998, he has been International Editor for Arc Publications, with whom he has published four collections, the first of which, The Undertow: New and Selected Poems, was his first UK edition. His second collection for Arc, The Silo: A Pastoral Symphony (1997) was followed in 1999 by Landbridge: An Anthology of Contemporary Australian Poetry, which he edited. Lightning Tree was published in 2003, and America in 2006. His most recent collections include The Hunt, Peripheral Light: Selected and New Poems, The New Arcadia and Shades of the Sublime & Beautiful. He is a Fellow of Churchill College, Cambridge University, and a Research Fellow at the University of Western Australia.
John Kinsella is the author of many books of poetry, fiction and criticism. He has also written for the stage. He is a frequent collaborator with other poets, critics, fictionalists, artists, musicians, labourers, activists and friends. Recent fiction includes the novels 'Lucida Intervalla' (UWAP, 2018) and Hollow Earth (Transit Lounge, 2019) and the collections of short fiction 'Old Growth' (Transit Lounge, 2017) and 'Pushing Back' (Transit Lounge, 2021); recent poetry includes 'Drowning in Wheat: Selected Poems' (Picador, 2016), 'Open Door' (UWAP, 2018), 'Insomnia' (WW Norton, 2020) and 'Supervivid Depastoralism' (Vagabond, 2021); recent criticism includes 'Polysituatedness' (Manchester University Press, 2017), 'Temporariness' (with Russell West-Pavlov; Narr, 2019) and 'Beyond Ambiguity: tracing literary sites of activism' (Manchester University Press, 2021). Five Islands Press has just published his collection of 'Graphology drawing-poems, Saussure's Kaleidoscope' (2021).John Kinsella is a Fellow of Churchill College, Cambridge University, and Emeritus Professor of Literature and Sustainability at Curtin University. But most relevantly, he is an anarchist-vegan-pacifist. Kinsella's activism against racism and bigotry began in his late teens when he was working on the first manifestation of his experimental novel, 'Morpheus'. He is a committed environmentalist.
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