This book examines the history and construction of the Creole voice in twentieth and twenty-first century Caribbean literature and the archivisation of Caribbean Creoles within the literary text.
This book examines the history and construction of the Creole voice in twentieth and twenty-first century Caribbean literature and the archivisation of Caribbean Creoles within the literary text.
Marl'ene Edwin is deputy director of the Centre for Caribbean and Diaspora Studies at Goldsmiths, University of London.
Inhaltsangabe
Chapter 1: Theoretical Threads Chapter 2: Imoinda or She-Who: Creolising the Double Archive Chapter 3: Short Fiction Archiving Voices: Performativity of Madness and the Creole Experience Chapter 4: Riffing On Orality and Archiving Feelings: Memorialising Her(Story) In Merle Collins' Angel Chapter 5: Creole Archiving, Diaspora, and the Academy: Space, Place and Cyberspace
Chapter 1: Theoretical Threads Chapter 2: Imoinda or She-Who: Creolising the Double Archive Chapter 3: Short Fiction Archiving Voices: Performativity of Madness and the Creole Experience Chapter 4: Riffing On Orality and Archiving Feelings: Memorialising Her(Story) In Merle Collins' Angel Chapter 5: Creole Archiving, Diaspora, and the Academy: Space, Place and Cyberspace
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