This book selects from my writings on artists and exhibitions in Europe, the Middle East, Asia, and the Americas. It is organized by types of exhibitions and location, and includes themes of ecology, resistance, and rethinking history.
This book selects from my writings on artists and exhibitions in Europe, the Middle East, Asia, and the Americas. It is organized by types of exhibitions and location, and includes themes of ecology, resistance, and rethinking history.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Susan Noyes Platt was born in New York City. She has held tenured positions in art history in Texas, California, and Washington State. Fulbright Fellowship supported a full year residency in Istanbul,Turkey in 1999-2000 and she has returned many times since then to review the Istanbul Biennial.She is currently an independent art historian and freelance art critic and curator, based in Seattle, Washington. She has written for national and international publications as well as maintaining a blog at www.artandpoliticsnow.com. Her first book, Modernism in the 1920s (UMI Research Press, 1985) examined the critical discourse on modern art in the New York art and academic press in the 1920s before the history of modern art was codified.Art and Politics in the 1930s, Modernism, Marxism, Americanism (Midmarch Arts Press, 1999) looks at the interconnections of art and politics during the Depression years with a focus on criticism by Elizabeth McCausland, Anita Brenner, Charmion Von Wiegand, Alfred Barr and finally, the emergence of Clement Greenberg in 1939.Art and Politics Now Cultural Activism in a Time of Crisis (Midmarch Arts Press, 2011) begins with the 1999 anti WTO demonstrations in Seattle and concludes with reference to the BP Gulf oil spill in the spring of 2010. Topics include opposition to war, terrorism, racism, borders, and the violation of the earth.
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