This pioneering study of Chilean arpillera folk art and its makers, sellers, and buyers explores the creation of a solidarity art system and shows how art can be a powerful force for opposing dictatorship and empowering oppressed people.
This pioneering study of Chilean arpillera folk art and its makers, sellers, and buyers explores the creation of a solidarity art system and shows how art can be a powerful force for opposing dictatorship and empowering oppressed people.
Jacqueline Adams has worked as an assistant professor of sociology in Hong Kong, senior researcher at the University of Coimbra, and research fellow, scholar-in-residence, and visiting scholar at the University of California at Berkeley, where she is currently based.
Inhaltsangabe
Preface Acknowledgments 1. Solidarity Art 2. Beginnings: Unemployment and Joining Groups 3. The First Arpillera Groups 4. Arpillera Making in Other Groups and Its Spread 5. Producing the Arpilleras 6. Selling Arpilleras 7. The Buyers Abroad 8. Selling, Giving, and Exhibiting Arpilleras in Chile 9. The Consequences of Arpillera Making 10. Conclusion Notes Bibliography
Preface Acknowledgments 1. Solidarity Art 2. Beginnings: Unemployment and Joining Groups 3. The First Arpillera Groups 4. Arpillera Making in Other Groups and Its Spread 5. Producing the Arpilleras 6. Selling Arpilleras 7. The Buyers Abroad 8. Selling, Giving, and Exhibiting Arpilleras in Chile 9. The Consequences of Arpillera Making 10. Conclusion Notes Bibliography
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