Concentrating on scholarship over the past four decades, this multidisciplinary approach to representation considers conceptual issues about representation and applies different theories to various arts. Following an introduction that traces the historical debates surrounding the concept of representation, Part One focuses on representation and language, epistemology, politics and history, sacrificial rites, possible world and postmodernism. Part Two applies current theories to painting, photography, literature, music, dance, and film. Writings highlight the vital role representation plays in…mehr
Concentrating on scholarship over the past four decades, this multidisciplinary approach to representation considers conceptual issues about representation and applies different theories to various arts. Following an introduction that traces the historical debates surrounding the concept of representation, Part One focuses on representation and language, epistemology, politics and history, sacrificial rites, possible world and postmodernism. Part Two applies current theories to painting, photography, literature, music, dance, and film. Writings highlight the vital role representation plays in the formation and appreciation of major genres of art. This work will appeal to art philosophy and aesthetics scholars and to cultural studies and linguistic scholars. Rather than advocate certain theories, the essays illustrate the inherent complexities of representation.
ANANTA CH. SUKLA is Professor of English at Sambalpur University. He is founding editor of the Journal of Comparative Literature and Aesthetics and founding secretary of Vishwanatha Kaviraja Institute of Comparative Literature and Aesthetics. His publications include The Concept of Imitation in Greek and Indian Aesthetics, Contemporary Indian Aesthetics and numerous other articles on aspects of comparative literature and theory in journals and anthologies.
Inhaltsangabe
Introduction by Ananta Ch. Sukla Concepts and Faculties Representation in Language by John Llewelyn Representation and Epistemology by R. A. Sharpe Political and Historical Representation by F. R. Ankersmit Representation in Sacrificial Rites by Ivan Strenski Possible World and Representation by Ruth Ronen Postmodernism and Representation by Horace L. Fairlamb Aesthetics and Arts Some Current Philosophical Theories of Pictorial Representation by Dieter Peetz A Causal Theory of Pictorial Representation by T. R. Quigley Painting, Photography and Representation by Donald Brook Representation in Literature by Colin Lyas Musical Representation by Stephen Davies Representation in Dance by Milton Snoeyenbos Representation in Film by T. E. Wartenberg Representation in Painting and Drama: Arguments from Indian Aesthetics by Ananta Ch. Sukla Representation, Representativeness and Non-Representational Arts by Charles Altieri Bibliography Index
Introduction by Ananta Ch. Sukla Concepts and Faculties Representation in Language by John Llewelyn Representation and Epistemology by R. A. Sharpe Political and Historical Representation by F. R. Ankersmit Representation in Sacrificial Rites by Ivan Strenski Possible World and Representation by Ruth Ronen Postmodernism and Representation by Horace L. Fairlamb Aesthetics and Arts Some Current Philosophical Theories of Pictorial Representation by Dieter Peetz A Causal Theory of Pictorial Representation by T. R. Quigley Painting, Photography and Representation by Donald Brook Representation in Literature by Colin Lyas Musical Representation by Stephen Davies Representation in Dance by Milton Snoeyenbos Representation in Film by T. E. Wartenberg Representation in Painting and Drama: Arguments from Indian Aesthetics by Ananta Ch. Sukla Representation, Representativeness and Non-Representational Arts by Charles Altieri Bibliography Index
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