This book presents a global perspective on the political agency of arts in place. International and leading scholars and artists themselves present critical theory and practice of contemporary art as a politicised force. This book extends thinking on contemporary arts practices in the urban and political context of protest and social resilience and offers the prism of a 'critical artscape' in which to view the urgent interaction of arts and the urban politic.
This book presents a global perspective on the political agency of arts in place. International and leading scholars and artists themselves present critical theory and practice of contemporary art as a politicised force. This book extends thinking on contemporary arts practices in the urban and political context of protest and social resilience and offers the prism of a 'critical artscape' in which to view the urgent interaction of arts and the urban politic.
Jason Luger is an urban researcher and Lecturer at the University of California, Berkeley, United States. Julie Ren is a Fellow in Human Geography at the London School of Economics, United Kingdom.
Inhaltsangabe
Foreword. Introduction. 1. How Colour Replaces Fear 2. The Collective Moment: Post-Museum's Rowell Road Period 3. Art/Movement as a Public Platform: Artistic Creations in the Sunflower Movement and the Umbrella Movement 4. Ghana ThinkTank: Mobility, Reversal and Cultural Differences 5. Diversifying the Stage of Policymaking - A New Policy Network in Berlin's Cultural Field 6. Alternative Art Schools in London: Contested Space and the Emergence of New Modes of Learning in Practice 7. RENT Poet: Commodity, Respectability and Scam in Los Angeles 8. Artist Activism as Essential Threshold from the 'Peaceful, Rational, Non-violence' Demonstrations towards Revolution: Social Actions in Hong Kong in the pre-Umbrella Movement Era 9. The Climate Games: Space, Politics and Resistance at the COP21 Paris 10. New Genre Public Commission? The Subversive Dimensions of Public Art in post-Fordist Capitalism 11. Unpacking Public Places in Gothenburg - The Event City: Becoming a Cannibal 12. Our House in the Middle of the Street 13. Crowd Creations: Interpreting Occupy Art in Hong Kong's Umbrella Movement 14. #Beirut, Urbanism and I: Framing the City through Space, Identity and Conflict. Conclusion
Foreword. Introduction. 1. How Colour Replaces Fear 2. The Collective Moment: Post-Museum's Rowell Road Period 3. Art/Movement as a Public Platform: Artistic Creations in the Sunflower Movement and the Umbrella Movement 4. Ghana ThinkTank: Mobility, Reversal and Cultural Differences 5. Diversifying the Stage of Policymaking - A New Policy Network in Berlin's Cultural Field 6. Alternative Art Schools in London: Contested Space and the Emergence of New Modes of Learning in Practice 7. RENT Poet: Commodity, Respectability and Scam in Los Angeles 8. Artist Activism as Essential Threshold from the 'Peaceful, Rational, Non-violence' Demonstrations towards Revolution: Social Actions in Hong Kong in the pre-Umbrella Movement Era 9. The Climate Games: Space, Politics and Resistance at the COP21 Paris 10. New Genre Public Commission? The Subversive Dimensions of Public Art in post-Fordist Capitalism 11. Unpacking Public Places in Gothenburg - The Event City: Becoming a Cannibal 12. Our House in the Middle of the Street 13. Crowd Creations: Interpreting Occupy Art in Hong Kong's Umbrella Movement 14. #Beirut, Urbanism and I: Framing the City through Space, Identity and Conflict. Conclusion
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