In this exciting collection of essays, available together for the first time, David Goldblatt studies key works including Nietzsche and Socrates, and uses the metaphor of ventriloquism to help understand how the art work speaks for the artist, and to the artwork and audience.
In this exciting collection of essays, available together for the first time, David Goldblatt studies key works including Nietzsche and Socrates, and uses the metaphor of ventriloquism to help understand how the art work speaks for the artist, and to the artwork and audience.
criti critical commentary: meaning beside itself Chapter 1 Bergen and McCarthy: the logic of an act Chapter 2 Nietzsche and ventriloquism Chapter 3 self-spacing: Foucault's ventriloqual tendencies Chapter 4 Socratic ventriloquism: theatricality and the voice of logos Chapter 5 the dislocation of the architectural self Chapter 6 self-plagiarism: the ecstatic recycling of the artist's voice Chapter 7 Cavellian conversation and the life of art epilo epilogue: two ventriloqual paintings
criti critical commentary: meaning beside itself Chapter 1 Bergen and McCarthy: the logic of an act Chapter 2 Nietzsche and ventriloquism Chapter 3 self-spacing: Foucault's ventriloqual tendencies Chapter 4 Socratic ventriloquism: theatricality and the voice of logos Chapter 5 the dislocation of the architectural self Chapter 6 self-plagiarism: the ecstatic recycling of the artist's voice Chapter 7 Cavellian conversation and the life of art epilo epilogue: two ventriloqual paintings
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