Eduardo Navas

Art, Media Design, and Postproduction

Open Guidelines on Appropriation and Remix

• Gebundenes Buch

Produktbeschreibung

A concise guide to the creative application of appropriation and remix that offers a set of open-ended guidelines for art and design studio-based projects, this book explores creativity with emerging technology, including artificial intelligence.

Produktdetails

• Verlag: Taylor & Francis
• 2nd edition
• Seitenzahl: 332
• Erscheinungstermin: 12. Mai 2025
• Englisch
• Abmessung: 229mm x 152mm
• Gewicht: 800g
• ISBN-13: 9781032514857
• ISBN-10: 103251485X
• Artikelnr.: 72175753

Autorenporträt

Eduardo Navas is Associate Research Professor of Art and Digital Arts & Media Design, Associate Director of Access and Equity in the School of Visual Arts, and Research Faculty in the College of Arts and Architecture's Arts & Design Research Incubator (ADRI) at Pennsylvania State University, USA. He researches and teaches principles of cultural analytics, digital humanities, and emerging technologies. Navas is author and co-editor of several titles, including Keywords in Remix Studies (2017), The Routledge Handbook of Remix Studies and Digital Humanities (2021), The Rise of Metacreativity: AI Aesthetics After Remix (2023), and The Routledge Companion to Remix Studies, 2nd edition (2025).

Inhaltsangabe

Acknowledgments
List of Figures
Introduction
General Remix Principles and Key Terms
Part 1: Media Production
Chapter 1: Randomized Signification - Elements for Exchange
Chapter 2: Analogized Codification - Mashups of Image and Text
Chapter 3: Sampling Creativity - Material Sampling and Cultural Citation
Chapter 4: Vectorial Pixels - Visual Aesthetics of Binary Code
Chapter 5: Bifurcated Meaning - Infliction of Statements
Essay: Modernism and Media Production
Part 2: Metaproduction
Chapter 6: Domesticated Noise - Manipulation of Sound
Chapter 7: Visual Aurality - Image and Sound as Data
Chapter 8: Versioning Time-Based Media - Reedits of Video and Sound
Chapter 9: Time-Based Media in Physical Space - Loops in Video and Sound
Installations
Chapter 10: The Assemblage Gaze - Of Media and Humans
Essay: Postmodernism and Metaproduction
Part 3: Postproduction
Chapter 11: Media Mashups - Appropriation and Remix of Image, Sound, and
Text
Chapter 12: Regenerative Motion - Correlated Time Based Media
Chapter 13: Reflexive Mashups - Aesthetics of Data Driven Objects
Chapter 14: Distributed Collaboration - Collective Work Across Networks
Chapter 15: Aesthetics of Negation - The Negative Selective Process
Essay: The Prefix and Post Production
Part 4: Metacreativity
Chapter 16: Visual Analytics: Image Mining and Artificial Intelligence
Chapter 17: Textual Analytics: Text-Mining and Artificial Intelligence
Chapter 18: Sound Analytics: Sound-Mining and Automation
Chapter 19: Creative Prompts: Artificial Intelligence for Image and Text
Production
Chapter 20: Automated Bifurcations: Artificial Intelligence and Media
Production
Essay: Metacreativity and AI Aesthetics
Index