Artists in the Archive
Creative and Curatorial Engagements with Documents of Art and Performance
Herausgeber: Clarke, Paul; Linsley, Johanna; Kaye, Nick; Jones, Simon
Artists in the Archive
Creative and Curatorial Engagements with Documents of Art and Performance
Herausgeber: Clarke, Paul; Linsley, Johanna; Kaye, Nick; Jones, Simon
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Artists in the Archive explores the agency and materiality of the archival document through a stunning collection of critical writings and original artworks. It examines the politics and philosophy behind re-using remains, historicising this artistic practice and considering the breadth of ways in which archival materials inform, inflect and influence new works.
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Artists in the Archive explores the agency and materiality of the archival document through a stunning collection of critical writings and original artworks. It examines the politics and philosophy behind re-using remains, historicising this artistic practice and considering the breadth of ways in which archival materials inform, inflect and influence new works.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 336
- Erscheinungstermin: 12. Juni 2018
- Englisch
- Abmessung: 235mm x 156mm x 19mm
- Gewicht: 730g
- ISBN-13: 9781138929784
- ISBN-10: 1138929786
- Artikelnr.: 42408702
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Taylor & Francis
- Seitenzahl: 336
- Erscheinungstermin: 12. Juni 2018
- Englisch
- Abmessung: 235mm x 156mm x 19mm
- Gewicht: 730g
- ISBN-13: 9781138929784
- ISBN-10: 1138929786
- Artikelnr.: 42408702
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Paul Clarke is an artist, theatre director, and Senior Lecturer in Performance Studies at the University of Bristol. Simon Jones is Professor of Performance at the University of Bristol, a writer and scholar, and founder and co-director of physical theatre company Bodies in Flight. Nick Kaye is Professor of Performance Studies at the University of Exeter. Johanna Linsley is an artist, researcher and producer, a founder of the performance/producing collective I'm With You, and a founding partner of documentary arts centre UnionDocs, Brooklyn, NY.
Paul Clarke, Simon Jones, Nick Kaye and Johanna Linsley, Introduction:
inside and outside the archive
Nick Kaye, Liveness and the entanglement with things
1. REMAKE
1a Janez Jana, Monument G as a call for reconstruction
1b Tim Etchells, Untitled (After Violent Incident)
1c Robin Deacon, Stuart Sherman's Hamlet: a careful misreading
1d Rosemary Butcher and Stefanie Sachsenmaier, Rosemary Butcher: After
Kaprow-a visual journey
1e Zhang Huan, Six Questions
1f Adrian Heathfield, The ghost time of transformation.
2. RETURN
2a Blast Theory/John Hunter, Jog Shuttler
2b Lin Hixson and Matthew Goulish, Our 18 Beginnings
2c Paul Clarke/Performance Re-enactment Society, Performing art history:
non-linear, synchronous and syncopated times in Performance Re-enactment
Society's Group Show (Arnolfini, Bristol 2012)
2d Pil and Galia Kollectiv, Re-enacting the archive: untimely meditations
on the use and abuse of repetition
2e Amelia Jones, Archive, repertoire and embodied histories in Não
Bustamente's performative practice
2f Andrew Quick, The patina of performance: documentary practice and the
search for origins in The Wooster Group's Fish Story
3. REVIEW
3a Mike Pearson, The lesson of anatomy
3b Fiona Templeton, Authority, authorship and authoring in the Theatre of
Mistakes
3c Bodies in Flight, Do the Wild Thing! Redux
3d Felix Gmelin, Understanding negative dialectics
3e Johanna Linsley, 9 beginnings: sonic theatrical possibilities and
potentialities in the performance archive
3f Maaike Bleeker, Resistance to representation and the fabrication of
truth: performance as thought-apparatus
4. ARCHIVE
4a Giles Bailey, Talker Catalogue
4b Terry O'Connor, Nothing goes to waste
4c Koh Nguang How, The Singapore Art Archive Project
4d Richard Hancock and Traci Kelly, Playing with shadows and speaking in
echoes
4e Claire MacDonald, Performing with ghosts: a talk remembered
4f Simon Jones, The future perfect of the archive: re-thinking performance
in the age of third nature
List of contributors
Acknowledgements
Index
inside and outside the archive
Nick Kaye, Liveness and the entanglement with things
1. REMAKE
1a Janez Jana, Monument G as a call for reconstruction
1b Tim Etchells, Untitled (After Violent Incident)
1c Robin Deacon, Stuart Sherman's Hamlet: a careful misreading
1d Rosemary Butcher and Stefanie Sachsenmaier, Rosemary Butcher: After
Kaprow-a visual journey
1e Zhang Huan, Six Questions
1f Adrian Heathfield, The ghost time of transformation.
2. RETURN
2a Blast Theory/John Hunter, Jog Shuttler
2b Lin Hixson and Matthew Goulish, Our 18 Beginnings
2c Paul Clarke/Performance Re-enactment Society, Performing art history:
non-linear, synchronous and syncopated times in Performance Re-enactment
Society's Group Show (Arnolfini, Bristol 2012)
2d Pil and Galia Kollectiv, Re-enacting the archive: untimely meditations
on the use and abuse of repetition
2e Amelia Jones, Archive, repertoire and embodied histories in Não
Bustamente's performative practice
2f Andrew Quick, The patina of performance: documentary practice and the
search for origins in The Wooster Group's Fish Story
3. REVIEW
3a Mike Pearson, The lesson of anatomy
3b Fiona Templeton, Authority, authorship and authoring in the Theatre of
Mistakes
3c Bodies in Flight, Do the Wild Thing! Redux
3d Felix Gmelin, Understanding negative dialectics
3e Johanna Linsley, 9 beginnings: sonic theatrical possibilities and
potentialities in the performance archive
3f Maaike Bleeker, Resistance to representation and the fabrication of
truth: performance as thought-apparatus
4. ARCHIVE
4a Giles Bailey, Talker Catalogue
4b Terry O'Connor, Nothing goes to waste
4c Koh Nguang How, The Singapore Art Archive Project
4d Richard Hancock and Traci Kelly, Playing with shadows and speaking in
echoes
4e Claire MacDonald, Performing with ghosts: a talk remembered
4f Simon Jones, The future perfect of the archive: re-thinking performance
in the age of third nature
List of contributors
Acknowledgements
Index
Paul Clarke, Simon Jones, Nick Kaye and Johanna Linsley, Introduction:
inside and outside the archive
Nick Kaye, Liveness and the entanglement with things
1. REMAKE
1a Janez Jana, Monument G as a call for reconstruction
1b Tim Etchells, Untitled (After Violent Incident)
1c Robin Deacon, Stuart Sherman's Hamlet: a careful misreading
1d Rosemary Butcher and Stefanie Sachsenmaier, Rosemary Butcher: After
Kaprow-a visual journey
1e Zhang Huan, Six Questions
1f Adrian Heathfield, The ghost time of transformation.
2. RETURN
2a Blast Theory/John Hunter, Jog Shuttler
2b Lin Hixson and Matthew Goulish, Our 18 Beginnings
2c Paul Clarke/Performance Re-enactment Society, Performing art history:
non-linear, synchronous and syncopated times in Performance Re-enactment
Society's Group Show (Arnolfini, Bristol 2012)
2d Pil and Galia Kollectiv, Re-enacting the archive: untimely meditations
on the use and abuse of repetition
2e Amelia Jones, Archive, repertoire and embodied histories in Não
Bustamente's performative practice
2f Andrew Quick, The patina of performance: documentary practice and the
search for origins in The Wooster Group's Fish Story
3. REVIEW
3a Mike Pearson, The lesson of anatomy
3b Fiona Templeton, Authority, authorship and authoring in the Theatre of
Mistakes
3c Bodies in Flight, Do the Wild Thing! Redux
3d Felix Gmelin, Understanding negative dialectics
3e Johanna Linsley, 9 beginnings: sonic theatrical possibilities and
potentialities in the performance archive
3f Maaike Bleeker, Resistance to representation and the fabrication of
truth: performance as thought-apparatus
4. ARCHIVE
4a Giles Bailey, Talker Catalogue
4b Terry O'Connor, Nothing goes to waste
4c Koh Nguang How, The Singapore Art Archive Project
4d Richard Hancock and Traci Kelly, Playing with shadows and speaking in
echoes
4e Claire MacDonald, Performing with ghosts: a talk remembered
4f Simon Jones, The future perfect of the archive: re-thinking performance
in the age of third nature
List of contributors
Acknowledgements
Index
inside and outside the archive
Nick Kaye, Liveness and the entanglement with things
1. REMAKE
1a Janez Jana, Monument G as a call for reconstruction
1b Tim Etchells, Untitled (After Violent Incident)
1c Robin Deacon, Stuart Sherman's Hamlet: a careful misreading
1d Rosemary Butcher and Stefanie Sachsenmaier, Rosemary Butcher: After
Kaprow-a visual journey
1e Zhang Huan, Six Questions
1f Adrian Heathfield, The ghost time of transformation.
2. RETURN
2a Blast Theory/John Hunter, Jog Shuttler
2b Lin Hixson and Matthew Goulish, Our 18 Beginnings
2c Paul Clarke/Performance Re-enactment Society, Performing art history:
non-linear, synchronous and syncopated times in Performance Re-enactment
Society's Group Show (Arnolfini, Bristol 2012)
2d Pil and Galia Kollectiv, Re-enacting the archive: untimely meditations
on the use and abuse of repetition
2e Amelia Jones, Archive, repertoire and embodied histories in Não
Bustamente's performative practice
2f Andrew Quick, The patina of performance: documentary practice and the
search for origins in The Wooster Group's Fish Story
3. REVIEW
3a Mike Pearson, The lesson of anatomy
3b Fiona Templeton, Authority, authorship and authoring in the Theatre of
Mistakes
3c Bodies in Flight, Do the Wild Thing! Redux
3d Felix Gmelin, Understanding negative dialectics
3e Johanna Linsley, 9 beginnings: sonic theatrical possibilities and
potentialities in the performance archive
3f Maaike Bleeker, Resistance to representation and the fabrication of
truth: performance as thought-apparatus
4. ARCHIVE
4a Giles Bailey, Talker Catalogue
4b Terry O'Connor, Nothing goes to waste
4c Koh Nguang How, The Singapore Art Archive Project
4d Richard Hancock and Traci Kelly, Playing with shadows and speaking in
echoes
4e Claire MacDonald, Performing with ghosts: a talk remembered
4f Simon Jones, The future perfect of the archive: re-thinking performance
in the age of third nature
List of contributors
Acknowledgements
Index