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"For the past twelve years, Stephan Vanfleteren (b. 1969) has been working intense hours in his daylight studio at home. Atelier is a collection of that work. Vanfleteren is searching for beauty and meaning, both in daylight and under artificial light. Grey stage curtains are everywhere as a constantly repeating background. The photographer embraces well-known personalities and anonymous people. He inspects and captures the grooves in the face of an old fisherman and the hand of Nick Cave on the same terms as he does a beachcombed bottle. He focuses an adoring gaze on his own children coming…mehr

Produktbeschreibung
"For the past twelve years, Stephan Vanfleteren (b. 1969) has been working intense hours in his daylight studio at home. Atelier is a collection of that work. Vanfleteren is searching for beauty and meaning, both in daylight and under artificial light. Grey stage curtains are everywhere as a constantly repeating background. The photographer embraces well-known personalities and anonymous people. He inspects and captures the grooves in the face of an old fisherman and the hand of Nick Cave on the same terms as he does a beachcombed bottle. He focuses an adoring gaze on his own children coming of age as well as on impassioned artists in their old age. He sees the frozen corpse of a kingfisher and the body of a twisting dancer, and watches as the sunlight slowly shifts across his stage curtain. Vanfleteren connects to the traditions of old and contemporary masters but remains faithful to his characteristic style. His craftsmanship and artistic nature make us both witness and party to the splash of incoming light."--Publisher information.
Autorenporträt
Stephan Vanfleteren (°1969) is one of Belgium’s most renowned photographers. Among the general public, he is mainly celebrated for his penetrating black and white portraits of famous and anonymous people. However, his oeuvre is much more diverse than that. Starting his career as a press photographer, Vanfleteren made captivating photo reports about the events that dominated the news. Later on, he began to elaborate a variation of themes in extended photo reportages, going from storefront façades to a journey along the mythical Atlantic Wall. For his most recent work, Vanfleteren withdrew into his studio to focus on his own version of classic themes such as nude portraits and still life photography. In the latter, entitled Nature Morte, he portrayed in color dead animals that he found near his home. Where most of his images are very time phased, this series marks an evolution in Vanfleteren’s work towards a more timeless approach and subject matter. Whether it concerns his journalistic, documentary or artistic photographic projects. Vanfleteren always remains true to his characteristic style and esthetic. A pallet of black and whites, the use of sharp contrasts and well-defined details is the trademark that he developed throughout the years. Also, his recent color work shows his impressibility, combined with his craftsmanship, his involvement with the subject which can be landscape, still life, portrait or nude. His expansive personal stories and reflections of encounters are mesmerizing excursions of a photographer who feels as much a witness as an accomplice. A melancholic soul hides in the sensitive photographer. Stephan Vanfleteren received in August 2021 a Doctor Honoris Causa from the VUB - Brussels University, Belgium. His latest project is ’Transcripts of a Sea’, on view at the Museum of Fine Arts, Ghent, Belgium until 2026.