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The crumbling Atlantic Wall through the inquisitive eyes of photographer Stephan Vanfleteren During World War II, Adolf Hitler gave the order for a line of defense to be constructed along the coasts of the western front. Ranging from the French-Spanish border to the north of Norway, this Atlantic Wall is a series of bunkers, barricades and coastal batteries. Over the past year Stephan Vanfleteren photographed this 'wall' of more than 2600 kilometres in his well-known black-andwhite style. He planted his tripod on various beaches in Belgium, the Netherlands and Germany, climbed cliff faces in…mehr

Produktbeschreibung
The crumbling Atlantic Wall through the inquisitive eyes of photographer Stephan Vanfleteren During World War II, Adolf Hitler gave the order for a line of defense to be constructed along the coasts of the western front. Ranging from the French-Spanish border to the north of Norway, this Atlantic Wall is a series of bunkers, barricades and coastal batteries. Over the past year Stephan Vanfleteren photographed this 'wall' of more than 2600 kilometres in his well-known black-andwhite style. He planted his tripod on various beaches in Belgium, the Netherlands and Germany, climbed cliff faces in France, sailed between the fjords of Norway and stood in the surf in Denmark to photograph the ruins of the largest military structure of the previous century. Vanfleteren shows with this series of photos his wonder for the untamed architectural beauty of these concrete structures and he shows the power of nature as it slowly reclaims these structures that were once considered impenetrable. Hanniba l Publishing presents www.hanniba lpublishing.com
Autorenporträt
Stephan Vanfleteren (°1969) is one of Belgium’s most renowned photographers. Among the general public, he is mainly celebrated for his penetrating black and white portraits of famous and anonymous people. However, his oeuvre is much more diverse than that. Starting his career as a press photographer, Vanfleteren made captivating photo reports about the events that dominated the news. Later on, he began to elaborate a variation of themes in extended photo reportages, going from storefront façades to a journey along the mythical Atlantic Wall. For his most recent work, Vanfleteren withdrew into his studio to focus on his own version of classic themes such as nude portraits and still life photography. In the latter, entitled Nature Morte, he portrayed in color dead animals that he found near his home. Where most of his images are very time phased, this series marks an evolution in Vanfleteren’s work towards a more timeless approach and subject matter. Whether it concerns his journalistic, documentary or artistic photographic projects. Vanfleteren always remains true to his characteristic style and esthetic. A pallet of black and whites, the use of sharp contrasts and well-defined details is the trademark that he developed throughout the years. Also, his recent color work shows his impressibility, combined with his craftsmanship, his involvement with the subject which can be landscape, still life, portrait or nude. His expansive personal stories and reflections of encounters are mesmerizing excursions of a photographer who feels as much a witness as an accomplice. A melancholic soul hides in the sensitive photographer. Stephan Vanfleteren received in August 2021 a Doctor Honoris Causa from the VUB - Brussels University, Belgium. His latest project is ’Transcripts of a Sea’, on view at the Museum of Fine Arts, Ghent, Belgium until 2026.