Australian Queer Screens - Cover, Rob; Monaghan, Whitney; Richards, Stuart; Mckinnon, Scott; Pym, Tinonee
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Erscheint vorauss. 19. Februar 2026
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This is the first book-length study of Australia's rich history of LGBTQ+ film and television, covering histories, production, screen representation and audience identities. Despite a long-standing international field of queer media studies, Australian scholarship has only recently emerged. Screen diversity in Australia is important to cultural policy, education and social harmony. This book presents new scholarship on the role and significance of gender- and sexually-diverse characters, themes and narratives on Australian screens, as Australian film and television has a very rich history of…mehr

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Produktbeschreibung
This is the first book-length study of Australia's rich history of LGBTQ+ film and television, covering histories, production, screen representation and audience identities. Despite a long-standing international field of queer media studies, Australian scholarship has only recently emerged. Screen diversity in Australia is important to cultural policy, education and social harmony. This book presents new scholarship on the role and significance of gender- and sexually-diverse characters, themes and narratives on Australian screens, as Australian film and television has a very rich history of representing LGBTQ+, gender- and sexually-diverse characters, stories and themes. The chapters in this book cover a broad range of areas to provide a comprehensive overview of LGBTQ+ film and television in Australia, including: the history and formation of LGBTQ+ screen representation in such film and TV series as Dad and Dave Come To Town, Lovers and Luggers, Cop Shop, Division 4, and Homicide; production perspectives and challenges, including insights from screen writers and actors; the significance of LGBTQ+ film festivals as part of Australian cultural heritage; analyses of key Australian queer film and TV series to draw out themes that foreground their 'Australianness', including The Set, Victims, and Boys in the Band, among others; and perspectives on audience and culture, including the utility and value of LGBTQ+ screen representation to identity, belonging and social change.
Autorenporträt
Rob Cover is Professor of Digital Communication and Director of the Digital Ethnography Research Centre at RMIT University, Melbourne, Australia. He leads a number of major funded research projects on young people, health and wellbeing and digital and broadcast media. The author of around one hundred journal articles and chapters, he publishes widely on topics related to digital cultures in the context of social identities, young people, suicide prevention and resilience. Rob is the author of ten books, including: Identity in the COVID-19 Years (Bloomsbury, 2024), Identity and Digital Communication: Concepts, Theories, Practices (2023), Fake News in Digital Culture (2022), Emergent Identities: New Sexualities, Gender and Relationships in a Digital Era (2019), Digital Identities: Creating and Communicating the Online Self (2016), and Queer Youth Suicide, Culture and Identity: Unliveable Lives? (2016). He is a co-editor of several anthologies including: Queer Studies in Education (2024), The Routledge Handbook of Gender, Sexuality and Human Rights (2024) and is co-editor of The Elgar Encyclopedia of Queer Studies (2025).