1. List of Illustrations
2. Preface. ¡Ay TÚ! ¡SÍ Yo! Nosotrxs: The SinvergÜenza Collective
3. Introduction. Her Fabulous Career: Sandra Cisneros’s Life/Work (Sonia
SaldÍvar-Hull and Geneva M. Gano)
4. Part I. ¡Ay, QuÉ Rico! Close Readings
* 1. Lingering with Complicity in Caramelo (Mary Pat Brady)
* 2. The Racial City: Navigating Chicago’s Racialized Space in The
House on Mango Street (Olga L. Herrera)
* 3. Telenovela Feeling in Sandra Cisneros’s Loose Woman: “I Think of
Me to Gluttony” (Adriana Estill)
* 4. “You Were Telling Cochinadas”: Performative Metaphors for
Storytelling in Sandra Cisneros’s Caramelo (Shanna M. Salinas)
* 5. Mapping the Decolonial: Community Cartography in Sandra Cisneros’s
Woman Hollering Creek (Teresa HernÁndez)
5. Part II. Love, Shame, and SinvergÜenzas
* 6. “Love the Only Way I Know How”: Cultivating Erotic Conocimiento in
the Work of Sandra Cisneros (Belinda Linn RincÓn)
* 7. From Marginal to Sin VergÜenza: Overcoming School-Inflicted Shame
through Transgressive Literary Aesthetics in Sandra Cisneros’s Life
and Writing (Georgina GuzmÁn)
* 8. The Loose Woman and the Men of Ill Repute (Richard T. RodrÍguez)
* 9. Wild, Wicked, and Crazy Brave Tongues: Locating the Collaborative
Origins of Sandra Cisneros’s and Joy Harjo’s Poetic Voices (Audrey
Goodman)
* 10. “Hay Que Inventarnos / We Must Invent Ourselves”: The Impact of
Norma AlarcÓn and Sandra Cisneros’s Friendship on Chicana Feminist
Literature (Sara A. RamÍrez)
* 11. Faxes, Friendship, and the Rise of Chicana Literature: Examining
the Archive of Letters between Sandra Cisneros and Helena MarÍa
Viramontes (Linda Margarita Greenberg)
6. Part III. ¡Adelante! Seeing and Listening with Cisneros
* 12. La Sandra como Artista: The Visual Cisneros (Tey Marianna Nunn)
* 13. Sin VergÜenza: A PlÁtica with Sandra Cisneros (Macarena
HernÁndez)
7. Acknowledgments
8. Contributors
9. Index
