John ButtArticulation Marks in Primary Sources of J. S. Bach
Bach Interpretation
Articulation Marks in Primary Sources of J. S. Bach
Herausgeber: Dreyfus, Laurence
John ButtArticulation Marks in Primary Sources of J. S. Bach
Bach Interpretation
Articulation Marks in Primary Sources of J. S. Bach
Herausgeber: Dreyfus, Laurence
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A comprehensive assessment of J.S. Bach's use of articulation marks (i.e. slurs and dots) in the large body of primary sources.
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A comprehensive assessment of J.S. Bach's use of articulation marks (i.e. slurs and dots) in the large body of primary sources.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 296
- Erscheinungstermin: 14. September 2006
- Englisch
- Abmessung: 229mm x 152mm x 18mm
- Gewicht: 484g
- ISBN-13: 9780521031806
- ISBN-10: 052103180X
- Artikelnr.: 21430791
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Cambridge University Press
- Seitenzahl: 296
- Erscheinungstermin: 14. September 2006
- Englisch
- Abmessung: 229mm x 152mm x 18mm
- Gewicht: 484g
- ISBN-13: 9780521031806
- ISBN-10: 052103180X
- Artikelnr.: 21430791
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
List of plates
Preface
List of abbreviations
Introduction
Part I. Background to Articulation in the Performance Practice of Bach's Era: 1. The primacy of singing
2. Articulation marks in string playing
3. Articulation marks in wind playing
4. Articulation marks in keyboard playing
5. Articulation marks and rhythmic inequality
Part II. The Principles of Bach's Notated Articulation: A Study of the Scores and Parts of the Concerted Vocal Works: 6. Articulation marks within the compositional and notational procedure
7. Principal articulation patterns in the instrumental parts of vocal works
8. Fundamentals of Bach's notated articulation
Part III. Bach's Refined Articulation - The Instrumental Works: 9. Bach's role in the preparation of printed sources 10. Articulation marks in fair copies of works for instrumental ensemble
11. Bach's keyboard articulation and the development of the keyboard idiom
12. Bach and 'modern' articulation: slurs as 'phrase marks'
13. Articulation marks in analysis and interpretation
Conclusion
Appendixes
Notes
References
Index of BMV works
Index of names.
Preface
List of abbreviations
Introduction
Part I. Background to Articulation in the Performance Practice of Bach's Era: 1. The primacy of singing
2. Articulation marks in string playing
3. Articulation marks in wind playing
4. Articulation marks in keyboard playing
5. Articulation marks and rhythmic inequality
Part II. The Principles of Bach's Notated Articulation: A Study of the Scores and Parts of the Concerted Vocal Works: 6. Articulation marks within the compositional and notational procedure
7. Principal articulation patterns in the instrumental parts of vocal works
8. Fundamentals of Bach's notated articulation
Part III. Bach's Refined Articulation - The Instrumental Works: 9. Bach's role in the preparation of printed sources 10. Articulation marks in fair copies of works for instrumental ensemble
11. Bach's keyboard articulation and the development of the keyboard idiom
12. Bach and 'modern' articulation: slurs as 'phrase marks'
13. Articulation marks in analysis and interpretation
Conclusion
Appendixes
Notes
References
Index of BMV works
Index of names.
List of plates
Preface
List of abbreviations
Introduction
Part I. Background to Articulation in the Performance Practice of Bach's Era: 1. The primacy of singing
2. Articulation marks in string playing
3. Articulation marks in wind playing
4. Articulation marks in keyboard playing
5. Articulation marks and rhythmic inequality
Part II. The Principles of Bach's Notated Articulation: A Study of the Scores and Parts of the Concerted Vocal Works: 6. Articulation marks within the compositional and notational procedure
7. Principal articulation patterns in the instrumental parts of vocal works
8. Fundamentals of Bach's notated articulation
Part III. Bach's Refined Articulation - The Instrumental Works: 9. Bach's role in the preparation of printed sources 10. Articulation marks in fair copies of works for instrumental ensemble
11. Bach's keyboard articulation and the development of the keyboard idiom
12. Bach and 'modern' articulation: slurs as 'phrase marks'
13. Articulation marks in analysis and interpretation
Conclusion
Appendixes
Notes
References
Index of BMV works
Index of names.
Preface
List of abbreviations
Introduction
Part I. Background to Articulation in the Performance Practice of Bach's Era: 1. The primacy of singing
2. Articulation marks in string playing
3. Articulation marks in wind playing
4. Articulation marks in keyboard playing
5. Articulation marks and rhythmic inequality
Part II. The Principles of Bach's Notated Articulation: A Study of the Scores and Parts of the Concerted Vocal Works: 6. Articulation marks within the compositional and notational procedure
7. Principal articulation patterns in the instrumental parts of vocal works
8. Fundamentals of Bach's notated articulation
Part III. Bach's Refined Articulation - The Instrumental Works: 9. Bach's role in the preparation of printed sources 10. Articulation marks in fair copies of works for instrumental ensemble
11. Bach's keyboard articulation and the development of the keyboard idiom
12. Bach and 'modern' articulation: slurs as 'phrase marks'
13. Articulation marks in analysis and interpretation
Conclusion
Appendixes
Notes
References
Index of BMV works
Index of names.







