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'I want to be extreme Unreasonably rude I like to spit and scream Inappropriately crude I drink St Agnes Brandy In a paper cup with ice And when I'm feeling randy Don't expect me to be nice High maintenance me Real piece of work you see A troublesome stunt Instincts of a ...' Wild, unpredictable, and deeply vulnerable, Barbara and her sister Rene are singing for their lives. Barbara's been trying to make it in Sydney, but when their mother's health deteriorates, the sisters embark on a pilgrimage back home to country. Full of painful, unfinished business for Barbara, their return sends her…mehr

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Produktbeschreibung
'I want to be extreme Unreasonably rude I like to spit and scream Inappropriately crude I drink St Agnes Brandy In a paper cup with ice And when I'm feeling randy Don't expect me to be nice High maintenance me Real piece of work you see A troublesome stunt Instincts of a ...' Wild, unpredictable, and deeply vulnerable, Barbara and her sister Rene are singing for their lives. Barbara's been trying to make it in Sydney, but when their mother's health deteriorates, the sisters embark on a pilgrimage back home to country. Full of painful, unfinished business for Barbara, their return sends her into a downward spiral. Can Barbara find a way to resolve the past in time to preserve love in the only family she has known? Through music that ranges from punk-inspired explosions of rage, to tender rock and soul ballads full of yearning, Barbara and the Camp Dogs is a gob-spit of fun, frenzy and family that finds beauty in honesty and hope in confronting the past.
Autorenporträt
ALANA VALENTINE's Barbara and the Camp Dogs, co-written with Ursula Yovich, was nominated in the 2017 Sydney Theatre Awards for Best New Australian Work and Best Original Score. Ladies Day was nominated for the Nick Enright Prize for Drama (NSW Premier's Literary Awards, 2017). Valentine is the recipient of two Tasmanian Theatre Awards (2017) for The Tree Widows, and was also nominated for an Errol for Best Director. Valentine has worked with Bangarra Dance Theatre as dramaturg on Dark Emu, after successful collaborations on Bennelong, Patyegarang and ID. In 2017 Venus Theatre Company (USA) world premiered The Ravens, which also won the BBC International Radio writing Award in 2013, and the National Library of Australia published Dear Lindy. Other works include The Sugar House, Ear to the Edge of Time, Letters to Lindy, and a jazz song cycle Flight Memory. Valentine is the co-recipient of a writing fellowship at the Charles Perkins Centre, University of Sydney. www.alanavalentine.com