Examines the thinking process behind drawing, characters, composition and movement, narrative and adaptation. The author introduces the fundamental elements involved in producing drawn animation.
Examines the thinking process behind drawing, characters, composition and movement, narrative and adaptation. The author introduces the fundamental elements involved in producing drawn animation.
Professor Paul Wells is director of the Animation Academy at Loughborough University. He has also lectured extensively in universities across the world on animation. Joanna Quinn is a major figure in world animation, receiving two Academy Award nominations and winning Emmys, Baftas, and Jury prizes worldwide. She lectures at universities and film schools in Britain and abroad. Les Mills was the course director in Film and Animation Production at the University of Wales. He now runs an animation production studio in Cardiff with Joanna Quinn. Les's work has received an Oscar nomination and won three Emmys.
Inhaltsangabe
Introduction. How to get the most out of this book. Thinking about drawing: Observation Perception Memory Interpretation Representation Imitation Experimentation. Practice: Composition and perspective Life and figure drawing Movement and dynamics Thinking animation Drawing characters. Pre-production and production procedures: The inciting idea Script Storyboard Scenes 2D to 3D. Drawing and narrative: Sketchbooks as narrative resources Character as narrative. Drawing and adaptation: Commercials Literary adaptation and graphic narrative Adapting aesthetics. Drawing characters and concepts: Frederic Back Paul Driessen Richard Reeves Michael Dudok de Wit Luis Cook Gerrit van Dijk. Glossary. Notes on drawing. Conclusion. Bibliography. Filmography. Webography. Picture credits and acknowledgements.
Introduction. How to get the most out of this book. Thinking about drawing: Observation Perception Memory Interpretation Representation Imitation Experimentation. Practice: Composition and perspective Life and figure drawing Movement and dynamics Thinking animation Drawing characters. Pre-production and production procedures: The inciting idea Script Storyboard Scenes 2D to 3D. Drawing and narrative: Sketchbooks as narrative resources Character as narrative. Drawing and adaptation: Commercials Literary adaptation and graphic narrative Adapting aesthetics. Drawing characters and concepts: Frederic Back Paul Driessen Richard Reeves Michael Dudok de Wit Luis Cook Gerrit van Dijk. Glossary. Notes on drawing. Conclusion. Bibliography. Filmography. Webography. Picture credits and acknowledgements.
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