The Fourth British Egyptology Congress (BEC 4) in September 2018 at the University of Manchester featured 82 papers, including four keynotes, spanning Egyptology, archaeology, museology, and Nile travel history. This volume includes 13 representative papers, aiming to stimulate further scholarly dialogue and research.
The Fourth British Egyptology Congress (BEC 4) in September 2018 at the University of Manchester featured 82 papers, including four keynotes, spanning Egyptology, archaeology, museology, and Nile travel history. This volume includes 13 representative papers, aiming to stimulate further scholarly dialogue and research.
Carl Graves completed his PhD at the University of Birmingham in 2017 on the topic of cultural landscapes of Middle Egypt during the Middle Kingdom with a particular focus on the necropolis of Beni Hassan. During his time in Birmingham, Carl was also the Postgraduate Curator of the Eton College William Joseph Myers Collection of Egyptian Art and a co-founder of Birmingham Egyptology. He has worked at the Egypt Exploration Society since 2013 and currently facilitates communications with our international community of supporters, fundraising, and organising our programme of educational training events.
Inhaltsangabe
Carl Graves and Rosalie David Foreword 1. Averil Anderson The collectors and collection in the McManus Art Galleries and Museum Dundee: Rev. Colin Campbell the Egypt Exploration Fund Sir James Caird and Thomas Wise 2. Gordon Dicks Competition conflict and control: suggestions of motive in the use of petroglyphs recorded from the Kom Ombo Basin 3. Anne Drewsen The elephant's shroud 4. Dina Ezz el-Din and Sahar el-Kasrawy Pomegranates of ancient Egypt: representations uses and religious significance 5. Roger J. Forshaw Why was a minor dislocation included amongst the more serious cases listed in the Edwin Smith papyrus? 6. Faten Kamal SR. 12191: An example from the collection of hieratic ostraca from Mond's excavation at Sheikh Abd el- Qurna 7. Pauline Norris Egyptomania - some erotica and vandalism 8. Colin D. Reader The geomorphological evidence for the Early Dynastic origins of the Great Sphinx of Giza: a response to Drs Lehner and Hawass 9. Marina Sartori Art as writing writing as art: selected case studies from New Kingdom Theban tombs 10. Marisol Solchaga Gardens and agricultural elements in soul Houses 11. Ian Taylor Changing faces: the revising of three images of Seth 12. Alexandre Vassiliev Upper Retenu and Lower Retenu 13. Michael Zellmann-Rohrer The text and traditional context of the 'Hay cookbook' and associated magical texts on leather Conference papers not included in this volume
Carl Graves and Rosalie David Foreword 1. Averil Anderson The collectors and collection in the McManus Art Galleries and Museum Dundee: Rev. Colin Campbell the Egypt Exploration Fund Sir James Caird and Thomas Wise 2. Gordon Dicks Competition conflict and control: suggestions of motive in the use of petroglyphs recorded from the Kom Ombo Basin 3. Anne Drewsen The elephant's shroud 4. Dina Ezz el-Din and Sahar el-Kasrawy Pomegranates of ancient Egypt: representations uses and religious significance 5. Roger J. Forshaw Why was a minor dislocation included amongst the more serious cases listed in the Edwin Smith papyrus? 6. Faten Kamal SR. 12191: An example from the collection of hieratic ostraca from Mond's excavation at Sheikh Abd el- Qurna 7. Pauline Norris Egyptomania - some erotica and vandalism 8. Colin D. Reader The geomorphological evidence for the Early Dynastic origins of the Great Sphinx of Giza: a response to Drs Lehner and Hawass 9. Marina Sartori Art as writing writing as art: selected case studies from New Kingdom Theban tombs 10. Marisol Solchaga Gardens and agricultural elements in soul Houses 11. Ian Taylor Changing faces: the revising of three images of Seth 12. Alexandre Vassiliev Upper Retenu and Lower Retenu 13. Michael Zellmann-Rohrer The text and traditional context of the 'Hay cookbook' and associated magical texts on leather Conference papers not included in this volume
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