Beckett's Voices / Voicing Beckett uses 'voice' as a prism to investigate Samuel Beckett's work across a range of texts, genres, and cultures. Twenty-one international contributors evaluate Beckett's contemporary artistic legacy in relation to music, media, performance, and philosophy.
Beckett's Voices / Voicing Beckett uses 'voice' as a prism to investigate Samuel Beckett's work across a range of texts, genres, and cultures. Twenty-one international contributors evaluate Beckett's contemporary artistic legacy in relation to music, media, performance, and philosophy.
Laurens De Vos is Associate Professor in Theatre Studies at the University of Amsterdam. He authored Cruelty and Desire in the Modern Theater: Antonin Artaud, Samuel Beckett, and Sarah Kane (2011) and Shakespeare (2016). He edited Sarah Kane in Context (2010). Mariko Hori Tanaka is Professor of English at Aoyama Gakuin University in Tokyo. She has published widely on Samuel Beckett and has co-edited Samuel Beckett and Pain (2012), Samuel Beckett and Trauma (2018) and Influencing Beckett / Beckett Influencing (2020). Nicholas E. Johnson is Associate Professor of Drama at Trinity College Dublin, where he co-directs the Trinity Centre for Beckett Studies. His publications include Experimental Beckett (2020), Bertolt Brecht's David Fragments (2020) and two special issues of the Journal of Beckett Studies (2014, 2020).
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