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Ekphrasis, that ancient mode found in Homer's description of Achilles's shield or Keats' Grecian Urn, is here transformed in Michael Heller's meditations in poetry and prose on work by the painter Max Beckmann. Heller navigates, sometimes with Yeats as his Virgil, through a gallery of Beckmann's pictures, seeing them as uniquely bringing home contemporary civilization's catastrophic impulses ("as if days were not for sanity"), impulses at once horrific and unsettling yet strangely beautiful and restorative.

Produktbeschreibung
Ekphrasis, that ancient mode found in Homer's description of Achilles's shield or Keats' Grecian Urn, is here transformed in Michael Heller's meditations in poetry and prose on work by the painter Max Beckmann. Heller navigates, sometimes with Yeats as his Virgil, through a gallery of Beckmann's pictures, seeing them as uniquely bringing home contemporary civilization's catastrophic impulses ("as if days were not for sanity"), impulses at once horrific and unsettling yet strangely beautiful and restorative.
Autorenporträt
Michael Heller's most recent books of poetry are Telescope: Selected Poems, Dianoia, and Dans le signe, translations of his poetry in French. His libretto/poem for Constellations of Waking, a work based on the life of Walter Benjamin, was published in 2019. Among his many awards and honors are the Alice Fay Di Castagnola Prize, a New York Foundation on the Arts Fellowship, the National Endowment for the Humanities Poet/Scholar Award and the Fund for Poetry. A collection of essays on his work, The Poetry and Poetics of Michael Heller: Nomad Memory, was published in 2015.