An analysis of surrealist artist Leonor Fini's self-fashioning and dressing-up practices that explores broader questions of gender and identity performance, creating and styling the self and the woman artist's role.
An analysis of surrealist artist Leonor Fini's self-fashioning and dressing-up practices that explores broader questions of gender and identity performance, creating and styling the self and the woman artist's role.
Andrea Kollnitz is professor of Art History and head of the Art History Department, Stockholm University, Sweden. Her current research is focused on the self-fashioning of the avant-garde artist; transnational perspectives on Nordic avant-garde art, fashion photography and caricature. She is co-editor, with Marco Pecorari, of Fashion, Performance and Performativity (2021), and, with Louise Wallenberg, of Fashion and Modernism (2018).
Inhaltsangabe
List of Illustrations Acknowledgements 1. Becoming Leonor Fini - an Introduction Part One: Enter: Leonor Fini 2. Theatricality between Art and Life 3. Spellbinding - Bal du Panache 1947 4. The Power and Beauty of Animals - Bal de la Voilette and Bal des Oiseaux 1948 5. Sublime and Divine - Bal des Masques et Dominos XVIII Siècle 1951 Part Two: The Art of Self-Fashioning 6. Performing the Artist 7. Self-Portrait with Scorpion - Leonor Fini, Agnolo Bronzino, Titian 8. Fashioning the Self - Leonor Fini in photographs 1920s-1930s 9. Surrealist Self-Imagination 10. The Artist as Artwork - Leonor Fini in Costume 1940s-1950s 11. Staging Magnificence - Eddy Brofferio's Portraits in Le Livre de Leonor Fini Part Three: Becoming Other 12. Displacing the Self 13. Masks and Masquerades 14. Woman in Transgression 15. Becoming Sovereign Epilogue Notes Bibliography Index
List of Illustrations Acknowledgements 1. Becoming Leonor Fini - an Introduction Part One: Enter: Leonor Fini 2. Theatricality between Art and Life 3. Spellbinding - Bal du Panache 1947 4. The Power and Beauty of Animals - Bal de la Voilette and Bal des Oiseaux 1948 5. Sublime and Divine - Bal des Masques et Dominos XVIII Siècle 1951 Part Two: The Art of Self-Fashioning 6. Performing the Artist 7. Self-Portrait with Scorpion - Leonor Fini, Agnolo Bronzino, Titian 8. Fashioning the Self - Leonor Fini in photographs 1920s-1930s 9. Surrealist Self-Imagination 10. The Artist as Artwork - Leonor Fini in Costume 1940s-1950s 11. Staging Magnificence - Eddy Brofferio's Portraits in Le Livre de Leonor Fini Part Three: Becoming Other 12. Displacing the Self 13. Masks and Masquerades 14. Woman in Transgression 15. Becoming Sovereign Epilogue Notes Bibliography Index
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