Bedouins With Various Portraits of Mary Garden in Operatic Costume - Huneker, James
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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

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Produktbeschreibung
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Autorenporträt
James Gibbons Huneker was an American writer and critic, renowned for his work in the fields of art, music, literature, and theater. Born in Philadelphia, Pennsylvania, Huneker was a colorful and ambitious figure, known for his intellectual depth and bold personality. He was a prominent critic of his time, known for his sharp insight into the works of artists and composers. His writing was characterized by a blend of passion and philosophical exploration, often delving into the intricacies of creative expression. Huneker was particularly fascinated by the tension between idealism and realism, a theme he often explored in his essays and critiques. His relationship with Clio Hinton Bracken, which began in 1892, was a significant part of his personal life. Huneker s legacy as a critic and writer remains influential, as his works continue to be admired for their intellectual rigor and artistic appreciation. He passed away on February 9, 1921, in Brooklyn, New York, leaving behind a body of work that contributed to shaping the landscape of American criticism in the late 19th and early 20th centuries. His insights into art and creativity are still regarded as significant contributions to the field of cultural critique.