Being Black and British: Before, During and After Drama School is about being Black, being British and being an actor before, during and after training.
Being Black and British: Before, During and After Drama School is about being Black, being British and being an actor before, during and after training.
Dermot Daly is a senior lecturer in the School of Drama at Leeds Conservatoire and a lecturer in the Leeds School of Arts, Leeds Beckett University, UK.
Inhaltsangabe
Foreword Voicing Experiences Beyond Academia: Recognising Black British Actors and the Industry How Valuable Is It To Your Work To Have Black British Actors Who Are Connected To Their Black Britishness? Why Is A Book Like This Important To The Performance Ecology? Prologue 0.1 Being Black In Britain Act One: Pre-training 1.1 The Canon 1.2 School To School: A Journey 1.3 Youth theatre 1.3a Youth theatre: #BlackIs... 1.4 Attending Theatre 1.5 Toolkit Act Two: Training 2.1 What Traditional Training Has Not Considered 2.2 Being Black In Training 2.3 Voice 2.4 Acting: Empowering Black Performers 2.5 Moving Whilst Black 2.6 Embracing Diasporic Difference: Rejecting limitations of Black characterisation in acting training Act Three: The Profession 3.1 Making Your Own Work 3.2 What Is A Director Looking For? 3.3 My First Job 3.4 Mental Health 3.5 Dreams Epilogue 4.1 A Parting Note 4.2 The Future
Foreword Voicing Experiences Beyond Academia: Recognising Black British Actors and the Industry How Valuable Is It To Your Work To Have Black British Actors Who Are Connected To Their Black Britishness? Why Is A Book Like This Important To The Performance Ecology? Prologue 0.1 Being Black In Britain Act One: Pre-training 1.1 The Canon 1.2 School To School: A Journey 1.3 Youth theatre 1.3a Youth theatre: #BlackIs... 1.4 Attending Theatre 1.5 Toolkit Act Two: Training 2.1 What Traditional Training Has Not Considered 2.2 Being Black In Training 2.3 Voice 2.4 Acting: Empowering Black Performers 2.5 Moving Whilst Black 2.6 Embracing Diasporic Difference: Rejecting limitations of Black characterisation in acting training Act Three: The Profession 3.1 Making Your Own Work 3.2 What Is A Director Looking For? 3.3 My First Job 3.4 Mental Health 3.5 Dreams Epilogue 4.1 A Parting Note 4.2 The Future
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