These new poems use tense couplets and other "centrifugal" forms to centre their energies in nodes of impacted attention. They feature territories as dispersed as Sheppard's local City of Culture and the global city of division and political murder of the title poem. The scar of history is drawn across the face of time, as in tragic Riga where we find reflections on artefacts of survival. Yet a series of metapoems brings agency and wonder to the idea of the poem, always seeing the world as well as itself, in perceptual double-takes that tease away at the meaning of the poetic act - "You'll…mehr
These new poems use tense couplets and other "centrifugal" forms to centre their energies in nodes of impacted attention. They feature territories as dispersed as Sheppard's local City of Culture and the global city of division and political murder of the title poem. The scar of history is drawn across the face of time, as in tragic Riga where we find reflections on artefacts of survival. Yet a series of metapoems brings agency and wonder to the idea of the poem, always seeing the world as well as itself, in perceptual double-takes that tease away at the meaning of the poetic act - "You'll never finish reading/ the poem in the book with reality pulling itself/ inside out before your eyes". Poetics weaves its conjectures amid these voices. At the centre of the collection is 'Six Poems Against Death' whose lyric imperative hovers before the portals of the unknown to embrace human unfinish as the condition of our survival.
Since A Translated Man (Shearsman, 2013) new creative work has appeared from Robert Sheppard: an autobiography, Words Out of Time (Knives Forks and Spoons, 2015), and a book of prose-pieces, Unfinish (Veer, 2015). His selected poems History or Sleep appeared from Shearsman in 2015. His critical volume, The Meaning of Form was published by Palgrave in 2016. With James Byrne he co-edited Atlantic Drift: An Anthology of Poetry and Poetics (EHUP/Arc, 2017). He is Emeritus Professor at Edge Hill University, where in 2017 a symposium was held on his work, the papers of which are due for publication. He lives in Liverpool.
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