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Completed in exile in Paris, as the second World War was dawning, Walter Benjamin looks back at the city of his birth at the beginning of the century. The book is both a sensory memoir of childhood as well as a tour of the iconic spaces of city. These are 'expeditions into the depths of memory', moving through vignettes of domestic settings and classrooms, city squares, parks and streets. The memories of childhood merge with a city that is about to disappear into darkness.
As his friend, Adorno, wrote, the work is 'illuminated by lightning flashes of immediate remembrance . . .the images
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Produktbeschreibung
Completed in exile in Paris, as the second World War was dawning, Walter Benjamin looks back at the city of his birth at the beginning of the century. The book is both a sensory memoir of childhood as well as a tour of the iconic spaces of city. These are 'expeditions into the depths of memory', moving through vignettes of domestic settings and classrooms, city squares, parks and streets. The memories of childhood merge with a city that is about to disappear into darkness.

As his friend, Adorno, wrote, the work is 'illuminated by lightning flashes of immediate remembrance . . .the images this book unearths and brings strangely near are not idyllic and not contemplative. Over them lies the shadow of the Third Reich. And through them dreamily runs a shudder at the long forgotten.'
Autorenporträt
WALTER BENJAMIN (1892–1940) was a German-Jewish philosopher, cultural critic and essayist associated with the Frankfurt School of Critical Theory. Among his best-known works are ‘The Work of Art in the Age of Mechanical Reproduction’, ‘Theses on the Philosophy of History’ and essays on Kafka, Proust, Baudelaire and the storyteller. His masterwork, the Arcades Project, which intended to present a cultural theory of modernity through a study of nineteenth-century Paris, remained unfinished at his death. SHIERRY WEBER NICHOLSEN is a psychoanalyst practicing in Seattle. She has translated several of Theodor W. Adorno’s works, including Notes to Literature, and is the author of Exact Imagination, Late Work: On Adorno’s Aesthetics. ANTONIA HOFSTÄTTER works on early critical theory and aesthetics. She has published widely on the thought of Theodor W. Adorno and is one of the editors of the Journal of Adorno Studies.