The interviews are framed, variously, by presentations of Moroccan history, society, and culture; the role of foreign filmmakers in Morocco; thematic discussions of cinematic issues (such as narrative techniques, the use of symbols, film as an expression of identity, and problems of censorship); and the global context of Third World filmmaking.
The interviews are framed, variously, by presentations of Moroccan history, society, and culture; the role of foreign filmmakers in Morocco; thematic discussions of cinematic issues (such as narrative techniques, the use of symbols, film as an expression of identity, and problems of censorship); and the global context of Third World filmmaking.
Kevin Dwyer is Professor of Anthropology at the American University in Cairo. He is author of Moroccan Dialogues: Anthropology in Question and Arab Voices: The Human Rights Debate in the Middle East. He lives in Cairo.
Inhaltsangabe
Acknowledgments Introduction: Third World, Many Worlds 1. The Most Successful Moroccan Film Ever Interlude: Film's Power and Function 2. Building the National Cinema, Building a Career Interlude: A First Feature-The Big Trip (1981) 3. Huston, Wise, Coppola, Camus and Pasolini, Scorsese and Some Others 4. Badis (1989) Interlude: How to Tell a Story-Narrative and Symbols 5. The Other Side of the Wind, Almost Interlude: Lalla Hobby-The Film 6. Reflections and Projections Conclusion: Future Flights of the Bumblebee Notes Bibliography Chronology Index
Acknowledgments Introduction: Third World, Many Worlds 1. The Most Successful Moroccan Film Ever Interlude: Film's Power and Function 2. Building the National Cinema, Building a Career Interlude: A First Feature-The Big Trip (1981) 3. Huston, Wise, Coppola, Camus and Pasolini, Scorsese and Some Others 4. Badis (1989) Interlude: How to Tell a Story-Narrative and Symbols 5. The Other Side of the Wind, Almost Interlude: Lalla Hobby-The Film 6. Reflections and Projections Conclusion: Future Flights of the Bumblebee Notes Bibliography Chronology Index
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